Collection by Jake Smith
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“There had been two or three primitive cabins on the property in the past, which resulted in a clearing that we utilized for the site,” Joseph Herrin says. “This allowed us to avoid any further tree removal for construction, and provided an opportunity to begin to restore that portion of the property with native landscaping.”
The brass backsplash was a risky experiment carried off by Natalie, who started with unlacquered 4x8 foot sheets, then gave them patina by covering them in vinegar, ketchup, and salt, and leaving them out in the sun. The resulting pattern was aligned as carefully as possible, and the surface sealed. “We just had to essentially cut the topography into a way that felt really great,” says Natalie.
The team painted the exterior brick after patching it in places, like the section left by the removal of the door. “We could find the exact texture of brick, that classic Roman running bond, but we could not find it in the right color,” says architect Kailin Gregga. Painting the entire exterior unifies the façade. Rich Brilliant Willing “Hoist” sconces in Black was also added.
Nato Studio added new lights to the already remodeled kitchen, including TK pendants over the island and sconces from Triple Seven. “For the lighting selections, we were looking for very natural materials that have a timeless feel, like brass and milk glass, as opposed to bringing in something that looked too contemporary,” says Cuttle.
“The main volume presents a traditional front and is wrapped on the west and south by a deep porch,” says architect Erin Sterling Lewis. “Living and dining spaces access the porch.” A standing seam metal roof with a Kynar finish and HardiePlank Lap Siding cover the exterior of this 3,000-square-foot home.














