Collection by Glenn Watt

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Designer Marc Perrotta and travel editor and writer John Newton renovated and expanded a colonial building in Mérida, Mexico, with the help of Jorge Novelo Caamal of Paralelo 20. The house’s pale-green plaster facade gives away little of what awaits inside.
Designer Marc Perrotta and travel editor and writer John Newton renovated and expanded a colonial building in Mérida, Mexico, with the help of Jorge Novelo Caamal of Paralelo 20. The house’s pale-green plaster facade gives away little of what awaits inside.
Looking in the opposite direction reveals how designer Louis Béliveau of La Firme embraced the lack of light in this part of the apartment, instead emphasizing it with ample dark finishes, like the 1x1-inch Daltile on the floor. A mirrored wall does catch some sun from the living room windows. “From a design perspective, mirrors are a magical trick,” says Béliveau. “They're not too expensive and they basically double up the space, and bounce back any lighting.” The door opens to the hall bathroom.
Looking in the opposite direction reveals how designer Louis Béliveau of La Firme embraced the lack of light in this part of the apartment, instead emphasizing it with ample dark finishes, like the 1x1-inch Daltile on the floor. A mirrored wall does catch some sun from the living room windows. “From a design perspective, mirrors are a magical trick,” says Béliveau. “They're not too expensive and they basically double up the space, and bounce back any lighting.” The door opens to the hall bathroom.
The dining area features a Roundish table from Maruni and Thonet 209 chairs.
The dining area features a Roundish table from Maruni and Thonet 209 chairs.
The Tasmanian oak timber battened panels accentuate the verticality of the spaces. “They draw the eye up from the kitchen all the way to the skylight at the top of the central void, and make the already tall ceilings feel even higher,” says architect Bronwyn Litera.
The Tasmanian oak timber battened panels accentuate the verticality of the spaces. “They draw the eye up from the kitchen all the way to the skylight at the top of the central void, and make the already tall ceilings feel even higher,” says architect Bronwyn Litera.
The ground floor is where the  clients spend most of their time. The main living space opens up to the waterfront via sliding glass doors, and the floors are burnished concrete to complement the board-formed walls.
The ground floor is where the clients spend most of their time. The main living space opens up to the waterfront via sliding glass doors, and the floors are burnished concrete to complement the board-formed walls.
A timber screen divides the library/study within the living space. It can be opened up to make a direct connection, or left closed for a layer of privacy. This was a key element of the scheme, as it creates a direct line of view through the living spaces from the sunken courtyard to the water.
A timber screen divides the library/study within the living space. It can be opened up to make a direct connection, or left closed for a layer of privacy. This was a key element of the scheme, as it creates a direct line of view through the living spaces from the sunken courtyard to the water.
The entire home is wrapped in a brick "skin" that extends onto the ground at the front and sides of the home. The entrance is found through a simple void in the facade beside a pond with floating vegetation that hints at the verdant interior.
The entire home is wrapped in a brick "skin" that extends onto the ground at the front and sides of the home. The entrance is found through a simple void in the facade beside a pond with floating vegetation that hints at the verdant interior.