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The Bauhaus bathroom is named for the tubular pattern on the floor tile.

The basement-level family room connects with a guest bedroom that features a painting by Marleigh Culver.

The kitchen features custom-lacquered cabinets with white oak handles and, in lieu of upper cabinets, a wall niche to display dishes.

The patio extends the living space outside in warmer months and is connected to the interior via Marvin Modern Multi-Slide Doors and Marvin Modern Direct Glaze windows. A small path leads through the towering trees, directly to the lake.

Glazing on both sides of the home and an open floor plan allows for beautiful water and forest views throughout the living space.

While the facade favors privacy, clear cedar was used on the entryway to create a warmer welcome.

A Carrara marble backsplash adds cool contrast and a sense of drama when set against the custom oiled-steel black cabinetry in the renovation of the kitchen in this A. Quincy Jones home in Los Angeles.

The home’s HenryBuilt kitchen is a focal point. The yellow hues of its cabinetry are softened by white oak finishes on the floors and the kitchen island.

The stove was kept in place in order to retain the position of the gas and venting. The designer dropped the sill on the right-side window to the floor. Sleek black cabinetry is topped with Essastone Concrete Pezzato weathered stone on the perimeter, and custom terrazzo on the island.

"Around the time we were thinking of moving back [to San Francisco], I took a trip to Marfa, Texas, and fell in love with the agelessness of Donald Judd’s work," says Amy. "I liked the idea of having a classic American reference to the space, since we are influenced as much from America as we are by Asian culture."

The front and back doors are only 12 feet apart from one another, separated by the living space at the heart of the home. The open floor plan allows the living space, den, dining room, and kitchen to flow into each other, while the way the volumes are positioned makes each space feel distinct—this works well for entertaining both large and small groups.

Now, the sizeable kitchen is an exceptional blend of old and new. The original floors, coffered ceiling, and windows are joined with IKEA cabinets with Semihandmade fronts, and Vermont-sourced Danby marble counters.

The timber used in the scaffolding and off-cuts from the framing were kept and redeployed for furniture and accents on the walls—such as the timber block in the primary kitchen.

The all-electric kitchen features oak cabinetry and a marble countertop.

Construction pausing during the pandemic turned out to be a boon: Living in the half-finished space, the couple realized they needed to open up the pass-through to the rest of the house for even more circulation.

Loader Monteith tends to have a "fabric-first" approach to sustainability. Any work happening on the roof or walls received a thick coat of insulation, and all glass is triple-glazed. "It’s like the house has a warm hat and jacket and a dry pair of Welly boots," says Loader. "Once you’ve done a lot of the hard work, you can make the heating system as small as possible." Photovoltaic solar panels on the roof collect energy throughout the day.

Full of bohemian soul, the heritage neighborhood of Fitzroy in Melbourne is known as a real estate hot spot. But rather than capitalize on their block and exploit a vacant garden east of their property, the family of four who own King Bill decided to create a new pocket park to bring more greenery to the streetscape. When it came time to renovate their double-story terrace home, the owners sought out local studio Austin Maynard Architects—a firm known for its sustainable ethos—who incorporated the empty garden to the east, and an old stable at the rear, to the new floor plan. A large, curved, sliding wall separates the master bathroom from an open net lounge area above the study.

To bring natural light into the center of the home, LeBlanc inserted a thin skylight above the stairs. The chandelier is from Michael Anastassiaees. “We wanted to find something contemporary that had nice lines,” LeBlanc says. “It seemed perfect because it acts like a 3-D mobile and has the geometric qualities Kevin likes in art.”