SubscribeSign In
s
Collection by Stacy Moran

Favorites

View 12 Photos
In the mid-fifties, modern residential architecture was suspect in the Eastern San Gabriel Valley. The Roberts family requested a ranch house, but Neutra steered his clients towards his vision. Mrs. Roberts wanted a low plaster ceiling throughout the home, which Neutra refused, choosing tongue-and-groove Douglas fir boards instead. He compromised with a plaster ceiling in the living room, pictured above.
In the mid-fifties, modern residential architecture was suspect in the Eastern San Gabriel Valley. The Roberts family requested a ranch house, but Neutra steered his clients towards his vision. Mrs. Roberts wanted a low plaster ceiling throughout the home, which Neutra refused, choosing tongue-and-groove Douglas fir boards instead. He compromised with a plaster ceiling in the living room, pictured above.
Josh and Moeka Lowman of San Francisco branding firm Goldfront reached out to Michael Hennessey Architecture to renovate the interior of their two-story residence in Diamond Heights, which was built by Eichler in 1965. Michael Hennessey explains, "We struck a balance between the positive, inherent qualities of an Eichler structure with modern improvements that enhance rather than compete with the existing building."
Josh and Moeka Lowman of San Francisco branding firm Goldfront reached out to Michael Hennessey Architecture to renovate the interior of their two-story residence in Diamond Heights, which was built by Eichler in 1965. Michael Hennessey explains, "We struck a balance between the positive, inherent qualities of an Eichler structure with modern improvements that enhance rather than compete with the existing building."
Having served as her birthplace and childhood home where her parents and grandparents lived, the 1953 apartment that a client asked Brazilian studio Cupertino Arquitetura to renovate was steeped in family history.
Having served as her birthplace and childhood home where her parents and grandparents lived, the 1953 apartment that a client asked Brazilian studio Cupertino Arquitetura to renovate was steeped in family history.
Located in the suburbs of Reykjavík, this midcentury gem was first designed in the 1960s by Guðmundur Kr. Kristinsson, one of the first postwar architects in Iceland. However, after being sold, the new homeowners determined the property was in need of a thoughtful revamp in order to be a suitable modern home for their growing family.
Located in the suburbs of Reykjavík, this midcentury gem was first designed in the 1960s by Guðmundur Kr. Kristinsson, one of the first postwar architects in Iceland. However, after being sold, the new homeowners determined the property was in need of a thoughtful revamp in order to be a suitable modern home for their growing family.
The original building is set around an L-shaped courtyard. The main entrance is next to the carport on the street side, with a second entry toward the back of the house.
The original building is set around an L-shaped courtyard. The main entrance is next to the carport on the street side, with a second entry toward the back of the house.
Jay and Melissa embraced the general configuration of the original house, which was a low, broad home that stretches out horizontally. While they remodeled and renovated the two wings on the sides, the blue sections are original. The cedar and stucco elements were new additions.
Jay and Melissa embraced the general configuration of the original house, which was a low, broad home that stretches out horizontally. While they remodeled and renovated the two wings on the sides, the blue sections are original. The cedar and stucco elements were new additions.
A dated midcentury dwelling in Santa Barbara is transformed into a bright, airy abode—perfectly suited for contemporary living.
A dated midcentury dwelling in Santa Barbara is transformed into a bright, airy abode—perfectly suited for contemporary living.
Midcentury completists score the ultimate catch: a 1959 post-and-beam fixer-upper in which to showcase their sprawling collection.
Midcentury completists score the ultimate catch: a 1959 post-and-beam fixer-upper in which to showcase their sprawling collection.
Danish architect Jesper Pedersen reimagines a Lloyd Ruocco midcentury, putting sustainability at the forefront of the Scandinavian-inspired design.
Danish architect Jesper Pedersen reimagines a Lloyd Ruocco midcentury, putting sustainability at the forefront of the Scandinavian-inspired design.
As most of the original interior had been gutted and remodeled by previous owners, the surviving design elements were just the bones, including the floor plan, facade, and most of the original framework. The owner used these structural components to heighten the indoor/outdoor quality, while also replacing frosted glass with clear, double-paned glass.
As most of the original interior had been gutted and remodeled by previous owners, the surviving design elements were just the bones, including the floor plan, facade, and most of the original framework. The owner used these structural components to heighten the indoor/outdoor quality, while also replacing frosted glass with clear, double-paned glass.
Originally designed in 1957 by SOM partner Roy O. Allen, this four-bedroom, three-bathroom house in Briarcliff Manor has been meticulously restored, while many of its original midcentury design details have been preserved and even emphasized. In fact, much of the design is reminiscent of the work of midcentury luminaries like Ludwig Mies van Der Rohe and Philip Johnson.
Originally designed in 1957 by SOM partner Roy O. Allen, this four-bedroom, three-bathroom house in Briarcliff Manor has been meticulously restored, while many of its original midcentury design details have been preserved and even emphasized. In fact, much of the design is reminiscent of the work of midcentury luminaries like Ludwig Mies van Der Rohe and Philip Johnson.