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SVP of Strategy and Chief of Staff for the NBA, is a passionate home cook and attended culinary school in 2019 to refine her home cooking skills.

Now, a picture window frames the views into the garden, and a tall glass and steel door accesses the backyard.

An L-shaped island wrapped in Pietra Cardosa stone has a prep sink, more storage, and a seating counter, from which you can gaze into the backyard.

In 2013, Jennifer Warner and Cara Frey fell in love with a modest but charming 1920s house within walking distance of their bungalow. The dwelling was dramatically sited, with great views of Portland’s southwest hills and downtown. But according to Michael Leckie, the Vancouver–based architect they eventually hired, "It was the dumpiest house on the block." Leckie replaced the house with a simple, modern design, using a basic square wood box that skews into a rhombus form, which he topped with a sloping roof. Their son, William, 6, swings in front of the cedar-clad house.

The kitchen features Japanese ash casework and Jacques Biny lights, made in 1956. A Semi pendant by Gubi hangs above a De La Espada table.

At the shop, Poul Henningsen’s PH 5 lamp for Louis Poulsen hangs over the Sandra table by Thomas Sandell for Asplund and Scandia chairs by Hans Brattrud for Fjordfiesta (top left).

The architect's home office at the rear of the house has views over the garden.

A nearby, built-in coffee station was designed to look more like a furniture piece, with white rift oak stained ebony, to match the cabinets in the island.

Now, a ten-foot long banquette fronted with a West Elm table anchors the eating alcove across from the island, and beckons visitors to have a sit. The family hosts everything from holiday get-togethers, to school and company functions in their new space. "We wanted to make everybody feel welcome," says Shondi.