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Collection by Stephanie L. McJury

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Gray Matters Director Marco Orsini in front of a Corbusier Mural The documentary, in part, explores the fallout from Corbusier's murals at e.1027, which enraged Gray but also showcased Corbusier's obsession with the home, which led him to build his own cabin in an adjoining lot. In fact, Corbusier died of a heart attack swimming in the waters near the home in 1965, and perhaps it was one of the last things he ever saw.
Gray Matters Director Marco Orsini in front of a Corbusier Mural The documentary, in part, explores the fallout from Corbusier's murals at e.1027, which enraged Gray but also showcased Corbusier's obsession with the home, which led him to build his own cabin in an adjoining lot. In fact, Corbusier died of a heart attack swimming in the waters near the home in 1965, and perhaps it was one of the last things he ever saw.
Sally Clarke, method's design director.
Sally Clarke, method's design director.
The subdued color scheme is also evident in the conference room. Floor-to-glass glass walls underscore the company's commitment to transparency, even in the most private spaces. The room is illuminated by grey Studio pendant lamps by Thomas Bernstrand.
The subdued color scheme is also evident in the conference room. Floor-to-glass glass walls underscore the company's commitment to transparency, even in the most private spaces. The room is illuminated by grey Studio pendant lamps by Thomas Bernstrand.
The seeds for Frank Lloyd Wright's collaboration with prefab builder Marshall Erdman were planted when Erdman hired the architect to design the First Unitarian Society meeting house in Madison, Wisconsin. [Photo credit courtesy The Kubala Washatko Architects (TKWA) via ArchDaily]
The seeds for Frank Lloyd Wright's collaboration with prefab builder Marshall Erdman were planted when Erdman hired the architect to design the First Unitarian Society meeting house in Madison, Wisconsin. [Photo credit courtesy The Kubala Washatko Architects (TKWA) via ArchDaily]
Folks from the Iceland Design Centre tend to identify the “Design District” as starting at least several blocks west of the magnificent Harpa Concert Hall and Conference Center.
Folks from the Iceland Design Centre tend to identify the “Design District” as starting at least several blocks west of the magnificent Harpa Concert Hall and Conference Center.
The Harpa Concert Hall and Conference Center was designed by Ólafur Elíasson together with Henning Larsen Architects and Batteríið Architects. It opened in 2011. Photo by: Tiffany Orvet
The Harpa Concert Hall and Conference Center was designed by Ólafur Elíasson together with Henning Larsen Architects and Batteríið Architects. It opened in 2011. Photo by: Tiffany Orvet
Hangar Meeting Table for MG LAB – This table premiered in 2012. It was designed with a space underneath the tabletop to stow away electronic devices that need to be close at hand without contributing to tabletop clutter.
Hangar Meeting Table for MG LAB – This table premiered in 2012. It was designed with a space underneath the tabletop to stow away electronic devices that need to be close at hand without contributing to tabletop clutter.
"We’re really focused on being 'of no time,'" he says. "We studied the idea of timelessness, looking at what designs in history have become timeless. Hospitality certainly has an age—the spaces are cool when they open and then they [feel dated]."
"We’re really focused on being 'of no time,'" he says. "We studied the idea of timelessness, looking at what designs in history have become timeless. Hospitality certainly has an age—the spaces are cool when they open and then they [feel dated]."
The two structures meet at the cottage’s northeastern end, where the contrast between them—the rough warmth of local stone and the rusty patina of Cor-Ten steel—is most striking.
The two structures meet at the cottage’s northeastern end, where the contrast between them—the rough warmth of local stone and the rusty patina of Cor-Ten steel—is most striking.
Print the Legend directors Luis Lopez and J. Clay Tweel Collaborators on films such as The King of Kong (which they both shot and edited), Lopez and Tweel were initially interested in making an Apple documentary, but then decided to find the next Apple and focus on burgeoning technology and 3D printing.
Print the Legend directors Luis Lopez and J. Clay Tweel Collaborators on films such as The King of Kong (which they both shot and edited), Lopez and Tweel were initially interested in making an Apple documentary, but then decided to find the next Apple and focus on burgeoning technology and 3D printing.
Alex Steffen speaking at a TED conference. Photo courtesy of TED Conferences.
Alex Steffen speaking at a TED conference. Photo courtesy of TED Conferences.
Blair McCary addresses the crowd at SXSW Eco. Bill Reed and Paula Vaughan are seated.
Blair McCary addresses the crowd at SXSW Eco. Bill Reed and Paula Vaughan are seated.