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To avoid excavating the land, Pang and Boyle designed a structural platform to keep the cabin level.

Fortunately, the damaged exterior and dismally dark 1970s interior didn’t scare away NMT Financial, who were captivated by the home wrapped around a massive oak tree embedded into the inner courtyard. Oakland-based See Arch was hired to restore the home’s modernist character while updating the dwelling to contemporary standards.

The large Chinese Flame tree can be fully enjoyed from the two outdoor seating areas.

Midcentury globe pendant lighting appears throughout the home.

The living area also flows into a sunlit dining area.

The garage adds 100 square feet of living space, plus there is a large backyard.

Cover designed this 414-square-foot prefab office/guesthouse specifically for the Hollywood site.

A look at one of two secondary bedrooms located down the hallway.

Sectional sketch of the Lost Whiskey Cabin.

Pocketing glass doors on either side of the main living space can be completely opened for cross ventilation. The blue living room sofas are from Feathers Fine Custom Furnishings.

The material palette is subtle, with a few feature elements. In the kitchen, for example, white cabinetry matches the wall finish for a seamless appearance, while the marble countertop is a nod to the owners’ Italian heritage and provides a natural focal point for entertaining.

There's only one thing Clint would do differently if he had the chance: "When everything was blown apart, I should have poured a foundation for an ADU or some sort of detached dwelling. But we were on such a tight schedule, and we were so focused on the house."

The aluminium-framed windows throughout are by Australian company Capral. “We wanted as much glass as possible to enjoy the almost 360-degree views,” says resident Sarah Younger. Tasmania, Australia Dwell Magazine : September / October 2017

To minimize energy use, the residence relies on natural ventilation for cooling. Heat is provided by an inflow hydronic tubing system. Note the guesthouse seen behind the bridge.

The geometrically disciplined facade is composed of blonde cypress, white stucco, and cedar that was charred black by Delta Millworks.