Collection by Elena Badan
The aging facade of Aumas’s apartment belies the energy within.
The Floating Farmhouse’s semitransparent addition has a roofline that matches the pitch of the original 1820s farmhouse. A porch, tucked under the side eaves, is cantilevered over a stream that runs through the property. Ikea loungers are illuminated from the interior by commercial gymnasium lights repurposed as pendant lamps.
Nicknamed the Floating Farmhouse, this 200-year-old home inspired one former copywriter to delve into architecture as a living. Inside, renovator and owner Tom Givone mixes vintage and industrial decor. Photo by Mark Mahaney.
Tom Givone's current weekend abode, nicknamed the Floating Farmhouse, is—so far—his capstone project, a synthesis of personal taste, material experimentation, and historically sensitive restoration: a living laboratory for how to bring the vernacular past into the present.
Fusion Landscape Design worked with PATH to remake the backyard into a grown-up playground. Under the stairwell sits a tiny custom cedar sauna and an outdoor shower—just a literal hop, skip, and jump away from the sprawling in-ground eight-by-ten-foot hot tub. Down three short stairs, Gloster’s Elan dining table from Design Within Reach is surrounded by Spark chairs by Don Chadwick for Knoll and a built-in fire pit and DCS grill by Fisher & Paykel—all resting on a smooth surface of bluestone pavers.
In the bathroom, a thin pane of glass separates the shower; an Aquaplane sink by Lacava hovers above
a built-in vanity illuminated by a lean Adelphi light by Oxygen Lighting; and blue-green glass penny tiles by Terra Verre decorate the floor. The absence of a door, combined with windows on two sides, makes the bathroom feel like a continuation of the overall space.
The residents splurged on double-height Marvin Integrity windows.
A cantilevered cabin designed by R D Gentzler blends into the forest, even as it hovers above a 20-foot drop-off. Its south face is almost entirely glass, but a roof canopy limits solar gain. “We sit on the deck all afternoon watching the trees, and the time just flies by,” says resident Maricela Salas.
New residential buildings are few and far between in England, so architects like Phillips have increasingly been charged with creating groundbreaking modern environments within the shells of historic houses. “People just find it easier to work within existing houses to transform them to be sleek, stylish and functional,” says Phillips. “Extensions have almost become a requirement for any homeowner who wants to be a part of modern living within the U.K.”
Architect Gregory Phillips connected the original house to a new modern extension that doesn’t interfere with the surrounding houses. “I try to be true to the location,”he explains, “so it doesn’t seem like some spaceship has landed.”
Phillips retained the old-world charm of original features like the black-and-white floor tiles (seen here in the entryway) and views of the garden from the front door.
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The living room structure soars to two stories, with banks of glass louvers at the upper level providing cross ventilation.
Dougal James-Robertson explains that with all the glass doors open, the couple is “fully in touch with whatever’s happening naturally.” Contrary to what the image here portrays, this is not always a good thing, as the weather can pack a wallop with intense rain and wind.
The three structures that make up the James-Robertson residence are framed in black-coated aluminum and steel.
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