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Collection by Alisa Miller

Farmhouse

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Nicknamed the Floating Farmhouse, this 200-year-old home inspired one former copywriter to delve into architecture as a living. Inside, renovator and owner Tom Givone mixes vintage and industrial decor. Photo by Mark Mahaney.
Nicknamed the Floating Farmhouse, this 200-year-old home inspired one former copywriter to delve into architecture as a living. Inside, renovator and owner Tom Givone mixes vintage and industrial decor. Photo by Mark Mahaney.
The Floating Farmhouse’s semitransparent addition has a roofline that matches the pitch of the original 1820s farmhouse. A porch, tucked under the side eaves, is cantilevered over a stream that runs through the property. Ikea loungers are illuminated from the interior by commercial gymnasium lights repurposed as pendant lamps.
The Floating Farmhouse’s semitransparent addition has a roofline that matches the pitch of the original 1820s farmhouse. A porch, tucked under the side eaves, is cantilevered over a stream that runs through the property. Ikea loungers are illuminated from the interior by commercial gymnasium lights repurposed as pendant lamps.
Tom Givone's current weekend abode, nicknamed the Floating Farmhouse, is—so far—his capstone project, a synthesis of personal taste, material experimentation, and historically sensitive restoration: a living laboratory for how to bring the vernacular past into the present.
Tom Givone's current weekend abode, nicknamed the Floating Farmhouse, is—so far—his capstone project, a synthesis of personal taste, material experimentation, and historically sensitive restoration: a living laboratory for how to bring the vernacular past into the present.
“When you’re working on something inexpensive and then decide you don’t like it, fine. You’re not tearing down millions of kroners worth of work.” —Mette Lyng Hansen
“When you’re working on something inexpensive and then decide you don’t like it, fine. You’re not tearing down millions of kroners worth of work.” —Mette Lyng Hansen
"It only cost about $48,000 to build, which was incredibly cheap," says Turner of the Stealth Barn. "We got the Timber Frame Company to supply the shell, then we clad it and fitted out the interior and windows ourselves. The idea was to take the archetypal black tar-painted agricultural building and make an almost childlike icon of that."
"It only cost about $48,000 to build, which was incredibly cheap," says Turner of the Stealth Barn. "We got the Timber Frame Company to supply the shell, then we clad it and fitted out the interior and windows ourselves. The idea was to take the archetypal black tar-painted agricultural building and make an almost childlike icon of that."
In the master bathroom, the floor’s subtle resin treatment was initially painted on the concrete as full-on orange, but started peeling immediately. Monory scrubbed it off until only a wash of the hue was visible. The bench is from Ikea.
In the master bathroom, the floor’s subtle resin treatment was initially painted on the concrete as full-on orange, but started peeling immediately. Monory scrubbed it off until only a wash of the hue was visible. The bench is from Ikea.
The north wall of the IST home functions as a cut-away, offering a peek inside an efficient yet cozy dwelling. Architect Peter Jurkovič built the home for a woman who had sold her flat in the big city of Bratislava and wanted something that reminded her of the village life of her childhood.
The north wall of the IST home functions as a cut-away, offering a peek inside an efficient yet cozy dwelling. Architect Peter Jurkovič built the home for a woman who had sold her flat in the big city of Bratislava and wanted something that reminded her of the village life of her childhood.
On an 18th-century farmstead in rural Sweden, two Copenhagen designers handcraft a summerhouse that seamlessly melds the modern and the traditional.
On an 18th-century farmstead in rural Sweden, two Copenhagen designers handcraft a summerhouse that seamlessly melds the modern and the traditional.
The architect chose granite for the house’s base, zinc for its roof, and Scandinavian pinewood for cladding—all materials that complement the nearby gray stone building.
The architect chose granite for the house’s base, zinc for its roof, and Scandinavian pinewood for cladding—all materials that complement the nearby gray stone building.
PROD Architecture + Design created a farmhouse in Penafiel, Portugal to fuse the aesthetic of traditional homes in the region with contemporary, floor-to-ceiling windows that respond to the environment. Made up of four distinct structures, the home takes on the shape of an existing gabled-roof structure on the site. To complement the stone building, the home incorporates a series of muted materials including granite for the base, zinc for the roof, and Scandinavian pinewood for cladding.
PROD Architecture + Design created a farmhouse in Penafiel, Portugal to fuse the aesthetic of traditional homes in the region with contemporary, floor-to-ceiling windows that respond to the environment. Made up of four distinct structures, the home takes on the shape of an existing gabled-roof structure on the site. To complement the stone building, the home incorporates a series of muted materials including granite for the base, zinc for the roof, and Scandinavian pinewood for cladding.
All of the beds in the house are playful custom one-off designs by Crasset, including the marionette-themed master bed, which a local carpenter fabricated from oak felled in the surrounding forest. The stone fireplace is original.
All of the beds in the house are playful custom one-off designs by Crasset, including the marionette-themed master bed, which a local carpenter fabricated from oak felled in the surrounding forest. The stone fireplace is original.