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Collection by Billy Mode

Farmhouse

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For the bedroom, the designer selected a bed by Muji and floor lamps by Lightyears.
For the bedroom, the designer selected a bed by Muji and floor lamps by Lightyears.
Rent a Belgian Farm: Because who wouldn’t want to vacation in this lovely place? The Heerlijkheid van Marrem farm is available to rent in Wevelgem, East Flanders. From Remodelista.
Rent a Belgian Farm: Because who wouldn’t want to vacation in this lovely place? The Heerlijkheid van Marrem farm is available to rent in Wevelgem, East Flanders. From Remodelista.
"Like the old farmhouses and barns of the Champlain Valley, the Foote Farm House has a clearly ordered wood frame on a sturdy foundation, an exterior skin made of local materials, an economy of form with tried-and-true proportions, a central fire place, and a common-sense relationship to the sun and the weather." - Architect John McLeod
"Like the old farmhouses and barns of the Champlain Valley, the Foote Farm House has a clearly ordered wood frame on a sturdy foundation, an exterior skin made of local materials, an economy of form with tried-and-true proportions, a central fire place, and a common-sense relationship to the sun and the weather." - Architect John McLeod
"It only cost about $48,000 to build, which was incredibly cheap," says Turner of the Stealth Barn. "We got the Timber Frame Company to supply the shell, then we clad it and fitted out the interior and windows ourselves. The idea was to take the archetypal black tar-painted agricultural building and make an almost childlike icon of that."
"It only cost about $48,000 to build, which was incredibly cheap," says Turner of the Stealth Barn. "We got the Timber Frame Company to supply the shell, then we clad it and fitted out the interior and windows ourselves. The idea was to take the archetypal black tar-painted agricultural building and make an almost childlike icon of that."
On an 18th-century farmstead in rural Sweden, two Copenhagen designers handcraft a summerhouse that seamlessly melds the modern and the traditional.
On an 18th-century farmstead in rural Sweden, two Copenhagen designers handcraft a summerhouse that seamlessly melds the modern and the traditional.
Built by a crew of three, the home makes a virtue out of being unfussy and straightforward. The north-facing glass wall under the gable, with a triple-glazed facade, doesn't require shading or insulation. The quick-to-build structure—which consists of just structural insulated panels (SIB) made from OSB panels with a foam core, and a concrete floor that retains heat—doesn't include any complicated systems or require much maintenance.
Built by a crew of three, the home makes a virtue out of being unfussy and straightforward. The north-facing glass wall under the gable, with a triple-glazed facade, doesn't require shading or insulation. The quick-to-build structure—which consists of just structural insulated panels (SIB) made from OSB panels with a foam core, and a concrete floor that retains heat—doesn't include any complicated systems or require much maintenance.
A glass-lined shower with a Hudson Reed showerhead adds a modern touch to the second-floor bathroom. A pane of privacy glass lets natural light enter the room.
A glass-lined shower with a Hudson Reed showerhead adds a modern touch to the second-floor bathroom. A pane of privacy glass lets natural light enter the room.
In the existing house, the wood beams were hidden under sheetrock and wallpaper. "I exposed them all, but I didn't let that dictate where the new walls would go," Givone says. "I let the beams fall where they may."
In the existing house, the wood beams were hidden under sheetrock and wallpaper. "I exposed them all, but I didn't let that dictate where the new walls would go," Givone says. "I let the beams fall where they may."
Upper level floor plan.
Upper level floor plan.
Four distinct structures make up the house. Their design echoes the shape of an older, gabled-roof building already on site. “We considered the neighboring construction quite interesting in terms of scale and layout,” de Carvalho says. “Due to the proximity, we felt the necessity to integrate it in the design.”
Four distinct structures make up the house. Their design echoes the shape of an older, gabled-roof building already on site. “We considered the neighboring construction quite interesting in terms of scale and layout,” de Carvalho says. “Due to the proximity, we felt the necessity to integrate it in the design.”
Seen from a distance, the farmhouse has a time-honored quality, though it’s still clearly a product of the 21st century.
Seen from a distance, the farmhouse has a time-honored quality, though it’s still clearly a product of the 21st century.
The second-floor office is housed inside a rounded rectangle of concrete that the architect inserted on top of the old farmhouse.
The second-floor office is housed inside a rounded rectangle of concrete that the architect inserted on top of the old farmhouse.
The house’s new lime plaster walls, seen here in the courtyard, contrast with the old brick wall that divides the house from Kolasiński’s adjoining carpentry shop. Though the house itself is small, the outdoor spaces and furniture studio bring its total square footage to nearly 11,000 square feet.
The house’s new lime plaster walls, seen here in the courtyard, contrast with the old brick wall that divides the house from Kolasiński’s adjoining carpentry shop. Though the house itself is small, the outdoor spaces and furniture studio bring its total square footage to nearly 11,000 square feet.
Because of the mirrored interior, the VELUX Group placed the roof windows towards the northeast in an effort to minimize any direct light, and hence uncomfortable heat, within the studio.
Because of the mirrored interior, the VELUX Group placed the roof windows towards the northeast in an effort to minimize any direct light, and hence uncomfortable heat, within the studio.