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Collection by Playa Photo PDR

Farmhouse

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“When you’re working on something inexpensive and then decide you don’t like it, fine. You’re not tearing down millions of kroners worth of work.” —Mette Lyng Hansen
“When you’re working on something inexpensive and then decide you don’t like it, fine. You’re not tearing down millions of kroners worth of work.” —Mette Lyng Hansen
For the bedroom, the designer selected a bed by Muji and floor lamps by Lightyears.
For the bedroom, the designer selected a bed by Muji and floor lamps by Lightyears.
"Like the old farmhouses and barns of the Champlain Valley, the Foote Farm House has a clearly ordered wood frame on a sturdy foundation, an exterior skin made of local materials, an economy of form with tried-and-true proportions, a central fire place, and a common-sense relationship to the sun and the weather." - Architect John McLeod
"Like the old farmhouses and barns of the Champlain Valley, the Foote Farm House has a clearly ordered wood frame on a sturdy foundation, an exterior skin made of local materials, an economy of form with tried-and-true proportions, a central fire place, and a common-sense relationship to the sun and the weather." - Architect John McLeod
A Renovated Farmhouse in Denmark: This beautiful renovation has a classic Scandinavian feel and soft, but simple color scheme. From The Style Files.
A Renovated Farmhouse in Denmark: This beautiful renovation has a classic Scandinavian feel and soft, but simple color scheme. From The Style Files.
"It only cost about $48,000 to build, which was incredibly cheap," says Turner of the Stealth Barn. "We got the Timber Frame Company to supply the shell, then we clad it and fitted out the interior and windows ourselves. The idea was to take the archetypal black tar-painted agricultural building and make an almost childlike icon of that."
"It only cost about $48,000 to build, which was incredibly cheap," says Turner of the Stealth Barn. "We got the Timber Frame Company to supply the shell, then we clad it and fitted out the interior and windows ourselves. The idea was to take the archetypal black tar-painted agricultural building and make an almost childlike icon of that."
Built by a crew of three, the home makes a virtue out of being unfussy and straightforward. The north-facing glass wall under the gable, with a triple-glazed facade, doesn't require shading or insulation. The quick-to-build structure—which consists of just structural insulated panels (SIB) made from OSB panels with a foam core, and a concrete floor that retains heat—doesn't include any complicated systems or require much maintenance.
Built by a crew of three, the home makes a virtue out of being unfussy and straightforward. The north-facing glass wall under the gable, with a triple-glazed facade, doesn't require shading or insulation. The quick-to-build structure—which consists of just structural insulated panels (SIB) made from OSB panels with a foam core, and a concrete floor that retains heat—doesn't include any complicated systems or require much maintenance.
The architect chose granite for the house’s base, zinc for its roof, and Scandinavian pinewood for cladding—all materials that complement the nearby gray stone building.
The architect chose granite for the house’s base, zinc for its roof, and Scandinavian pinewood for cladding—all materials that complement the nearby gray stone building.
The main entrance is on the house’s south side. It leads to a central hall from which all sections of the home are accessible.
The main entrance is on the house’s south side. It leads to a central hall from which all sections of the home are accessible.
Seen from a distance, the farmhouse has a time-honored quality, though it’s still clearly a product of the 21st century.
Seen from a distance, the farmhouse has a time-honored quality, though it’s still clearly a product of the 21st century.
The second-floor office is housed inside a rounded rectangle of concrete that the architect inserted on top of the old farmhouse.
The second-floor office is housed inside a rounded rectangle of concrete that the architect inserted on top of the old farmhouse.
A door leads out from the romantic courtyard, lush with plants. “Although we live in a big city, it doesn’t feel like it,” Kolasiński says. “The neighborhood and the nature are very relaxing and quiet.”
A door leads out from the romantic courtyard, lush with plants. “Although we live in a big city, it doesn’t feel like it,” Kolasiński says. “The neighborhood and the nature are very relaxing and quiet.”