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Collection by S.O.P.E. Pictures

Farmhouse

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Because of the mirrored interior, the VELUX Group placed the roof windows towards the northeast in an effort to minimize any direct light, and hence uncomfortable heat, within the studio.
Because of the mirrored interior, the VELUX Group placed the roof windows towards the northeast in an effort to minimize any direct light, and hence uncomfortable heat, within the studio.
The house’s new lime plaster walls, seen here in the courtyard, contrast with the old brick wall that divides the house from Kolasiński’s adjoining carpentry shop. Though the house itself is small, the outdoor spaces and furniture studio bring its total square footage to nearly 11,000 square feet.
The house’s new lime plaster walls, seen here in the courtyard, contrast with the old brick wall that divides the house from Kolasiński’s adjoining carpentry shop. Though the house itself is small, the outdoor spaces and furniture studio bring its total square footage to nearly 11,000 square feet.
A door leads out from the romantic courtyard, lush with plants. “Although we live in a big city, it doesn’t feel like it,” Kolasiński says. “The neighborhood and the nature are very relaxing and quiet.”
A door leads out from the romantic courtyard, lush with plants. “Although we live in a big city, it doesn’t feel like it,” Kolasiński says. “The neighborhood and the nature are very relaxing and quiet.”
The second-floor office is housed inside a rounded rectangle of concrete that the architect inserted on top of the old farmhouse.
The second-floor office is housed inside a rounded rectangle of concrete that the architect inserted on top of the old farmhouse.
Seen from a distance, the farmhouse has a time-honored quality, though it’s still clearly a product of the 21st century.
Seen from a distance, the farmhouse has a time-honored quality, though it’s still clearly a product of the 21st century.
PROD Architecture + Design created a farmhouse in Penafiel, Portugal to fuse the aesthetic of traditional homes in the region with contemporary, floor-to-ceiling windows that respond to the environment. Made up of four distinct structures, the home takes on the shape of an existing gabled-roof structure on the site. To complement the stone building, the home incorporates a series of muted materials including granite for the base, zinc for the roof, and Scandinavian pinewood for cladding.
PROD Architecture + Design created a farmhouse in Penafiel, Portugal to fuse the aesthetic of traditional homes in the region with contemporary, floor-to-ceiling windows that respond to the environment. Made up of four distinct structures, the home takes on the shape of an existing gabled-roof structure on the site. To complement the stone building, the home incorporates a series of muted materials including granite for the base, zinc for the roof, and Scandinavian pinewood for cladding.
The main entrance is on the house’s south side. It leads to a central hall from which all sections of the home are accessible.
The main entrance is on the house’s south side. It leads to a central hall from which all sections of the home are accessible.
The architect chose granite for the house’s base, zinc for its roof, and Scandinavian pinewood for cladding—all materials that complement the nearby gray stone building.
The architect chose granite for the house’s base, zinc for its roof, and Scandinavian pinewood for cladding—all materials that complement the nearby gray stone building.
Lower level floor plan.
Lower level floor plan.
Nicknamed the Floating Farmhouse, this 200-year-old home inspired one former copywriter to delve into architecture as a living. Inside, renovator and owner Tom Givone mixes vintage and industrial decor. Photo by Mark Mahaney.
Nicknamed the Floating Farmhouse, this 200-year-old home inspired one former copywriter to delve into architecture as a living. Inside, renovator and owner Tom Givone mixes vintage and industrial decor. Photo by Mark Mahaney.
On an 18th-century farmstead in rural Sweden, two Copenhagen designers handcraft a summerhouse that seamlessly melds the modern and the traditional.
On an 18th-century farmstead in rural Sweden, two Copenhagen designers handcraft a summerhouse that seamlessly melds the modern and the traditional.
BLAIR NICHE PROJECT At just $167 per square foot, this high-design, low-cost barn in rural Wisconsin is an American idyll.
BLAIR NICHE PROJECT At just $167 per square foot, this high-design, low-cost barn in rural Wisconsin is an American idyll.
"Architecture exists through states of contrast; the building as a bridge between a wooded forest and a field, a strong roof line against a backdrop of trees or mountains. In these states of contrast we truly start to see where we live." -Architect Steve Kredell
"Architecture exists through states of contrast; the building as a bridge between a wooded forest and a field, a strong roof line against a backdrop of trees or mountains. In these states of contrast we truly start to see where we live." -Architect Steve Kredell
The box-shaped balcony of this renovated farmhouse near France’s Chinon region uses oak built-ins to complement the home’s original timber beams. Photo by Jonas Ingerstedt.
The box-shaped balcony of this renovated farmhouse near France’s Chinon region uses oak built-ins to complement the home’s original timber beams. Photo by Jonas Ingerstedt.
"It only cost about $48,000 to build, which was incredibly cheap," says Turner of the Stealth Barn. "We got the Timber Frame Company to supply the shell, then we clad it and fitted out the interior and windows ourselves. The idea was to take the archetypal black tar-painted agricultural building and make an almost childlike icon of that."
"It only cost about $48,000 to build, which was incredibly cheap," says Turner of the Stealth Barn. "We got the Timber Frame Company to supply the shell, then we clad it and fitted out the interior and windows ourselves. The idea was to take the archetypal black tar-painted agricultural building and make an almost childlike icon of that."
"Like the old farmhouses and barns of the Champlain Valley, the Foote Farm House has a clearly ordered wood frame on a sturdy foundation, an exterior skin made of local materials, an economy of form with tried-and-true proportions, a central fire place, and a common-sense relationship to the sun and the weather." - Architect John McLeod
"Like the old farmhouses and barns of the Champlain Valley, the Foote Farm House has a clearly ordered wood frame on a sturdy foundation, an exterior skin made of local materials, an economy of form with tried-and-true proportions, a central fire place, and a common-sense relationship to the sun and the weather." - Architect John McLeod
For the bedroom, the designer selected a bed by Muji and floor lamps by Lightyears.
For the bedroom, the designer selected a bed by Muji and floor lamps by Lightyears.
“When you’re working on something inexpensive and then decide you don’t like it, fine. You’re not tearing down millions of kroners worth of work.” —Mette Lyng Hansen
“When you’re working on something inexpensive and then decide you don’t like it, fine. You’re not tearing down millions of kroners worth of work.” —Mette Lyng Hansen
The Floating Farmhouse’s semitransparent addition has a roofline that matches the pitch of the original 1820s farmhouse. A porch, tucked under the side eaves, is cantilevered over a stream that runs through the property. Ikea loungers are illuminated from the interior by commercial gymnasium lights repurposed as pendant lamps.
The Floating Farmhouse’s semitransparent addition has a roofline that matches the pitch of the original 1820s farmhouse. A porch, tucked under the side eaves, is cantilevered over a stream that runs through the property. Ikea loungers are illuminated from the interior by commercial gymnasium lights repurposed as pendant lamps.