Collection by Niklas Stüczen
Four distinct structures make up the house. Their design echoes the shape of an older, gabled-roof building already on site. “We considered the neighboring construction quite interesting in terms of scale and layout,” de Carvalho says. “Due to the proximity, we felt the necessity to integrate it in the design.”
Four distinct structures make up the house. Their design echoes the shape of an older, gabled-roof building already on site. “We considered the neighboring construction quite interesting in terms of scale and layout,” de Carvalho says. “Due to the proximity, we felt the necessity to integrate it in the design.”
Architects Joan Soranno and John Cook of HGA developed five site-specific cabins that tread lightly on the land at Marlboro College in rural Vermont. These deceptively simple structures update the regional vernacular. Every year, Marlboro College hosts the Marlboro Music Festival in which classical musicians join together to hone their craft.  These cabins help support the musicians that live, work, and rehearse together.
Architects Joan Soranno and John Cook of HGA developed five site-specific cabins that tread lightly on the land at Marlboro College in rural Vermont. These deceptively simple structures update the regional vernacular. Every year, Marlboro College hosts the Marlboro Music Festival in which classical musicians join together to hone their craft. These cabins help support the musicians that live, work, and rehearse together.
With their matching peaked roofs, every cabin nods to the traditional form of countryside retreats. The cluster’s pine cladding has been treated to speed up the aging process, giving it a warm patina.
With their matching peaked roofs, every cabin nods to the traditional form of countryside retreats. The cluster’s pine cladding has been treated to speed up the aging process, giving it a warm patina.
Full-height glazing caps the central living area. A rigid steel frame concealed within its wood envelope allows for uninterrupted sight lines and creates a single, open-plan living space.
Full-height glazing caps the central living area. A rigid steel frame concealed within its wood envelope allows for uninterrupted sight lines and creates a single, open-plan living space.
“We’re here for almost three months every summer—and it works so well that you never feel it’s a small space. The separation and steps between each perfect little box create a great flow.”—Nadja van Praag
“We’re here for almost three months every summer—and it works so well that you never feel it’s a small space. The separation and steps between each perfect little box create a great flow.”—Nadja van Praag
Tiny houses are spreading across the world—and probably because it really just makes sense. The tiny home lifestyle is the ultimate application of creative resourcefulness, and allows residents to reduce their environmental footprints without sacrificing good design.
Tiny houses are spreading across the world—and probably because it really just makes sense. The tiny home lifestyle is the ultimate application of creative resourcefulness, and allows residents to reduce their environmental footprints without sacrificing good design.
“We did our best to tuck the buildings into the site—the goal was to get up high on a perch. It was a matter of setting that elevation and working back down with the topography.”—Riley Pratt, architectural designer
“We did our best to tuck the buildings into the site—the goal was to get up high on a perch. It was a matter of setting that elevation and working back down with the topography.”—Riley Pratt, architectural designer
"We did our best to tuck the buildings into the site—the goal was to get up high on a perch. It was a matter of setting that elevation and working back down with the topography," says architectural designer Riley Pratt.
"We did our best to tuck the buildings into the site—the goal was to get up high on a perch. It was a matter of setting that elevation and working back down with the topography," says architectural designer Riley Pratt.
Sited parallel to each other, the two autonomous bedroom cabins frame perspectival views of the surrounding landscape. Exteriors of all three structures feature mitered corners and cross-laminated timber panels, all nailed by hand.
Sited parallel to each other, the two autonomous bedroom cabins frame perspectival views of the surrounding landscape. Exteriors of all three structures feature mitered corners and cross-laminated timber panels, all nailed by hand.
The house may appear conventional at a glance, but a closer look shows how Oostenbruggen has pushed the boundaries of the traditional gabled typology. It has an asymmetrical roof, with slate shingles that extend down the eastern side to close it off completely.
The house may appear conventional at a glance, but a closer look shows how Oostenbruggen has pushed the boundaries of the traditional gabled typology. It has an asymmetrical roof, with slate shingles that extend down the eastern side to close it off completely.
"It only cost about $48,000 to build, which was incredibly cheap," says Turner of the Stealth Barn. "We got the Timber Frame Company to supply the shell, then we clad it and fitted out the interior and windows ourselves. The idea was to take the archetypal black tar-painted agricultural building and make an almost childlike icon of that."
"It only cost about $48,000 to build, which was incredibly cheap," says Turner of the Stealth Barn. "We got the Timber Frame Company to supply the shell, then we clad it and fitted out the interior and windows ourselves. The idea was to take the archetypal black tar-painted agricultural building and make an almost childlike icon of that."
The architect chose granite for the house’s base, zinc for its roof, and Scandinavian pinewood for cladding—all materials that complement the nearby gray stone building.
The architect chose granite for the house’s base, zinc for its roof, and Scandinavian pinewood for cladding—all materials that complement the nearby gray stone building.