Collection by Justin
"Like the old farmhouses and barns of the Champlain Valley, the Foote Farm House has a clearly ordered wood frame on a sturdy foundation, an exterior skin made of local materials, an economy of form with tried-and-true proportions, a central fire place, and a common-sense relationship to the sun and the weather." - Architect John McLeod
"Like the old farmhouses and barns of the Champlain Valley, the Foote Farm House has a clearly ordered wood frame on a sturdy foundation, an exterior skin made of local materials, an economy of form with tried-and-true proportions, a central fire place, and a common-sense relationship to the sun and the weather." - Architect John McLeod
"It only cost about $48,000 to build, which was incredibly cheap," says Turner of the Stealth Barn. "We got the Timber Frame Company to supply the shell, then we clad it and fitted out the interior and windows ourselves. The idea was to take the archetypal black tar-painted agricultural building and make an almost childlike icon of that."
"It only cost about $48,000 to build, which was incredibly cheap," says Turner of the Stealth Barn. "We got the Timber Frame Company to supply the shell, then we clad it and fitted out the interior and windows ourselves. The idea was to take the archetypal black tar-painted agricultural building and make an almost childlike icon of that."
Michèle Monory’s Chinon farmhouse is an idyllic getaway from her home basein Paris. After she inherited the property and centuries-old structure from her father, she hired Matali Crasset, who runs a cutting-edge architecture and design firm, to update the living spaces.
Michèle Monory’s Chinon farmhouse is an idyllic getaway from her home basein Paris. After she inherited the property and centuries-old structure from her father, she hired Matali Crasset, who runs a cutting-edge architecture and design firm, to update the living spaces.
Monory’s friends, the Leclercs, join her for an alfresco meal on the patio. They’re seated at a custom-made table on Fermob’s Luxembourg chairs.
Monory’s friends, the Leclercs, join her for an alfresco meal on the patio. They’re seated at a custom-made table on Fermob’s Luxembourg chairs.
Built by a crew of three, the home makes a virtue out of being unfussy and straightforward. The north-facing glass wall under the gable, with a triple-glazed facade, doesn't require shading or insulation. The quick-to-build structure—which consists of just structural insulated panels (SIB) made from OSB panels with a foam core, and a concrete floor that retains heat—doesn't include any complicated systems or require much maintenance.
Built by a crew of three, the home makes a virtue out of being unfussy and straightforward. The north-facing glass wall under the gable, with a triple-glazed facade, doesn't require shading or insulation. The quick-to-build structure—which consists of just structural insulated panels (SIB) made from OSB panels with a foam core, and a concrete floor that retains heat—doesn't include any complicated systems or require much maintenance.
The architect chose granite for the house’s base, zinc for its roof, and Scandinavian pinewood for cladding—all materials that complement the nearby gray stone building.
The architect chose granite for the house’s base, zinc for its roof, and Scandinavian pinewood for cladding—all materials that complement the nearby gray stone building.
PROD Architecture + Design created a farmhouse in Penafiel, Portugal to fuse the aesthetic of traditional homes in the region with contemporary, floor-to-ceiling windows that respond to the environment. Made up of four distinct structures, the home takes on the shape of an existing gabled-roof structure on the site. To complement the stone building, the home incorporates a series of muted materials including granite for the base, zinc for the roof, and Scandinavian pinewood for cladding.
PROD Architecture + Design created a farmhouse in Penafiel, Portugal to fuse the aesthetic of traditional homes in the region with contemporary, floor-to-ceiling windows that respond to the environment. Made up of four distinct structures, the home takes on the shape of an existing gabled-roof structure on the site. To complement the stone building, the home incorporates a series of muted materials including granite for the base, zinc for the roof, and Scandinavian pinewood for cladding.
Seen from a distance, the farmhouse has a time-honored quality, though it’s still clearly a product of the 21st century.
Seen from a distance, the farmhouse has a time-honored quality, though it’s still clearly a product of the 21st century.
All of the beds in the house are playful custom one-off designs by Crasset, including the marionette-themed master bed, which a local carpenter fabricated from oak felled in the surrounding forest. The stone fireplace is original.
All of the beds in the house are playful custom one-off designs by Crasset, including the marionette-themed master bed, which a local carpenter fabricated from oak felled in the surrounding forest. The stone fireplace is original.
A door leads out from the romantic courtyard, lush with plants. “Although we live in a big city, it doesn’t feel like it,” Kolasiński says. “The neighborhood and the nature are very relaxing and quiet.”
A door leads out from the romantic courtyard, lush with plants. “Although we live in a big city, it doesn’t feel like it,” Kolasiński says. “The neighborhood and the nature are very relaxing and quiet.”
The house’s new lime plaster walls, seen here in the courtyard, contrast with the old brick wall that divides the house from Kolasiński’s adjoining carpentry shop. Though the house itself is small, the outdoor spaces and furniture studio bring its total square footage to nearly 11,000 square feet.
The house’s new lime plaster walls, seen here in the courtyard, contrast with the old brick wall that divides the house from Kolasiński’s adjoining carpentry shop. Though the house itself is small, the outdoor spaces and furniture studio bring its total square footage to nearly 11,000 square feet.
Because of the mirrored interior, the VELUX Group placed the roof windows towards the northeast in an effort to minimize any direct light, and hence uncomfortable heat, within the studio.
Because of the mirrored interior, the VELUX Group placed the roof windows towards the northeast in an effort to minimize any direct light, and hence uncomfortable heat, within the studio.