FACADES

The third-level balcony is planted with vines that will gradually grow and cascade over the home’s facade.

A view of the front door, made of local lapacho. Above it, the second level is enveloped in wood cladding, whose deep brown tones are starting to fade and lighten. “We like that very much,” says Smud. “And the plants are growing and advancing over the wood.”

The "bird's nest

<span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">"The house is bermed into a steep hillside,

Outdoor furniture by Restoration Hardware sits on the terrace off the living room.

Jeremy and Sara Imhoff laid out kYodai in the shape of a Y, which pulls Bear's Run's asymmetrical tetrahedron roofline inside out.

Bear Run's roofline resembles Wright's design for the Seth Peterson Cottage in Wisconsin.

Based on an unbuilt 1948 summer house Frank Lloyd Wright designed for his sister Maginel and his 1958 Cottage C for Don and Virginia Lovness, Bear Run was realized and expanded by architect David Uppgren.

Light pours through clerestory windows in the master bathroom. Staying true to the home’s overall aesthetic, Sweet used simple, contrasting materials—white oak for the cabinets and Ann Sacks white tiles for the walls.

The new home quotes the forms and materials of the neighborhood, but remixes them in a more contemporary combination.

A sliding door connects the kitchen to a new outdoor dining area and the lawn beyond.

"Some people want a manicured garden, but I'm of a different mindset," says Patnaik. She left the grounds untamed and organic. "If we're building in the wild, I want to live in the wild."

A cantileverd loft sits on top of a humble, box-like form. From here, the homeowners can watch the rain through a large, triangular window.