Collection by Kirby
The living area has a PK22 chair by Poul Kjaerholm and a Float sofa and Zoe rug from Paola Lenti’s outdoor collection. Pietre Del Nord porcelain stoneware from Emser Tile runs from the patio through the house.
The living area has a PK22 chair by Poul Kjaerholm and a Float sofa and Zoe rug from Paola Lenti’s outdoor collection. Pietre Del Nord porcelain stoneware from Emser Tile runs from the patio through the house.
“We drew a lot of inspiration from the house itself, but we tried to push it a bit further. We wanted to figure out a way to open the back elevation completely,” says Leidner.
“We drew a lot of inspiration from the house itself, but we tried to push it a bit further. We wanted to figure out a way to open the back elevation completely,” says Leidner.
A pathway winds between a pair of Japanese maples and a myrtle tree that dates to the home’s original construction. The floor-to-ceiling windows and sliders are by Fleetwood.
A pathway winds between a pair of Japanese maples and a myrtle tree that dates to the home’s original construction. The floor-to-ceiling windows and sliders are by Fleetwood.
In Sunnyvale, California, architect Ryan Leidner cracked open a 1962 Eichler with a crisp remodel flush with foliage. He replaced the home’s vertical plywood facade with one-inch strips of American red cedar set at two depths. The rhythmic slats conceal a garage door that swings open on a hidden hinge. At the entryway, two massive panes of frosted glass shimmer with light and shadow from the atrium inside. Homeowners Isabelle Olsson and Matthaeus Krenn stand out front.
In Sunnyvale, California, architect Ryan Leidner cracked open a 1962 Eichler with a crisp remodel flush with foliage. He replaced the home’s vertical plywood facade with one-inch strips of American red cedar set at two depths. The rhythmic slats conceal a garage door that swings open on a hidden hinge. At the entryway, two massive panes of frosted glass shimmer with light and shadow from the atrium inside. Homeowners Isabelle Olsson and Matthaeus Krenn stand out front.
After entering, the home starts to unfold. The actual entrance is really an interior garden, a design element that definitely sets the tone for indoor-outdoor living.
After entering, the home starts to unfold. The actual entrance is really an interior garden, a design element that definitely sets the tone for indoor-outdoor living.
The floors are made of white travertine imported from Spain.
The floors are made of white travertine imported from Spain.
Architect Miguel Ángel Aragonés’s Mexico City home covers nearly 11,000 square feet. Rombo III spans three stories and is named after its sharp geometry. The home has a predominately white color palette—it's swathed in stucco, sand, and cement, with Spanish travertine floors. However, it takes on the hues of its surroundings—be it the gray or blue of the sky, or a hint of green from the lush foliage surrounding the house. With a meditation pond inside, the space is a serene getaway from the hustle and bustle of the city.
Architect Miguel Ángel Aragonés’s Mexico City home covers nearly 11,000 square feet. Rombo III spans three stories and is named after its sharp geometry. The home has a predominately white color palette—it's swathed in stucco, sand, and cement, with Spanish travertine floors. However, it takes on the hues of its surroundings—be it the gray or blue of the sky, or a hint of green from the lush foliage surrounding the house. With a meditation pond inside, the space is a serene getaway from the hustle and bustle of the city.
A lush green lawn surrounds the sunken pool area, which is bordered by a stone retaining wall and hedges.
A lush green lawn surrounds the sunken pool area, which is bordered by a stone retaining wall and hedges.
Lush landscaping fills the backyard, which is planted with large native trees and fruit trees. A circular concrete patio and flower bed encircle the home.
Lush landscaping fills the backyard, which is planted with large native trees and fruit trees. A circular concrete patio and flower bed encircle the home.
The towers stand 80 and 112 meters high. In addition to regular monitoring, once a year, a crew of arborists/climbers dubbed the “Flying Gardeners” descend from the roof of the buildings to assess plant health. According to the firm, “A few years after its construction, the Vertical Forest has given birth to a habitat colonized by numerous animal species, including about 1,600 specimens of birds and butterflies.”
The towers stand 80 and 112 meters high. In addition to regular monitoring, once a year, a crew of arborists/climbers dubbed the “Flying Gardeners” descend from the roof of the buildings to assess plant health. According to the firm, “A few years after its construction, the Vertical Forest has given birth to a habitat colonized by numerous animal species, including about 1,600 specimens of birds and butterflies.”
Although synthetic slate roof tiles have been around since the 1970s, the way architect Stephen Bruns used them to completely clad Woven House is unusual. "I love this material," says Bruns. "The way light reflects off the tiles creates a specular effect, almost like a mosaic." That reflective quality is enhanced by the floor-to-ceiling windows by Loewen.
Although synthetic slate roof tiles have been around since the 1970s, the way architect Stephen Bruns used them to completely clad Woven House is unusual. "I love this material," says Bruns. "The way light reflects off the tiles creates a specular effect, almost like a mosaic." That reflective quality is enhanced by the floor-to-ceiling windows by Loewen.
CMV House in the evening.
CMV House in the evening.
The garage at CMV House makes use of a wide range of materials: wood, metal, concrete, and stone.
The garage at CMV House makes use of a wide range of materials: wood, metal, concrete, and stone.
The clients bought nineteen acres of land in 2016, and they have been restoring the prairie ever since.
The clients bought nineteen acres of land in 2016, and they have been restoring the prairie ever since.
When Austin-based firm Matt Fajkus Architecture was tasked with renovating this classic midcentury home, they sought to open up the interior—not only by unifying the common areas into an open-plan layout, but also by literally raising the home's roof. This strategy increased the ceiling height on three sides of the home, allowing for the insertion of clerestory windows to create a bright and airy open living space. "The raised ceiling maintains the original pitched roof geometry to stay harmonious with the existing gabled roof in the private zone," explain the architects in a statement.
When Austin-based firm Matt Fajkus Architecture was tasked with renovating this classic midcentury home, they sought to open up the interior—not only by unifying the common areas into an open-plan layout, but also by literally raising the home's roof. This strategy increased the ceiling height on three sides of the home, allowing for the insertion of clerestory windows to create a bright and airy open living space. "The raised ceiling maintains the original pitched roof geometry to stay harmonious with the existing gabled roof in the private zone," explain the architects in a statement.
A pivot-hung door
A pivot-hung door
Inspired by the fence from the Kaufmann House in Palm Springs, Greg and Kirsten chose local basalt for the new privacy wall.
Inspired by the fence from the Kaufmann House in Palm Springs, Greg and Kirsten chose local basalt for the new privacy wall.
The living area features a Le Bombole ’07 sofa by Mario Bellini for B&B Italia, a Chieftan chair by Finn Juhl, and a rotating hanging stove by FireOrb. The poufs are by Tazi Designs.
The living area features a Le Bombole ’07 sofa by Mario Bellini for B&B Italia, a Chieftan chair by Finn Juhl, and a rotating hanging stove by FireOrb. The poufs are by Tazi Designs.

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