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Collection by Nour Abu Elhija

Exterior

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Front Deck & Entry Door
Front Deck & Entry Door
The house, complete with Glenn’s Toyota Prius.
The house, complete with Glenn’s Toyota Prius.
Perched above a lake on Australia’s verdant Mornington Peninsula, James and Imogen Tutton’s teak-clad house was designed by Karen Alcock of Melbourne-based MA Architects.
Perched above a lake on Australia’s verdant Mornington Peninsula, James and Imogen Tutton’s teak-clad house was designed by Karen Alcock of Melbourne-based MA Architects.
The team reviewed twenty years of snowfall data to find an average that would dictate the height of the house’s base. They also extended the roof to protect both the front entrance and the deck—this way the family doesn’t need to worry about snow removal upon arrival or dealing with windows that won’t open.
The team reviewed twenty years of snowfall data to find an average that would dictate the height of the house’s base. They also extended the roof to protect both the front entrance and the deck—this way the family doesn’t need to worry about snow removal upon arrival or dealing with windows that won’t open.
Though this 2,808-square-foot home in Lewes, East Sussex, England, used to be an old workshop, Sandy Rendel Architects transformed it into a beautiful home with a building shell that was made of SIPS (structured insulated panels), and prefabricated offsite.
Though this 2,808-square-foot home in Lewes, East Sussex, England, used to be an old workshop, Sandy Rendel Architects transformed it into a beautiful home with a building shell that was made of SIPS (structured insulated panels), and prefabricated offsite.
Looking West
Looking West
Front Facade
Front Facade
Designed in 1972 by local architect Edgar Waehrer, this home was renovated by creative director Ben Watson and his partner, painter Claudio Tschopp. As a later example of Northwest modernism, the home combined the clean lines and open plans of mid-century modernism with an emphasis on natural local materials and natural light. However, while the 16-foot ceilings in the home gave a sense of airiness, the plentiful wood paneling on the walls kept it dark and feeling damp, and so the couple bleached the walls to better reflect natural light.
Designed in 1972 by local architect Edgar Waehrer, this home was renovated by creative director Ben Watson and his partner, painter Claudio Tschopp. As a later example of Northwest modernism, the home combined the clean lines and open plans of mid-century modernism with an emphasis on natural local materials and natural light. However, while the 16-foot ceilings in the home gave a sense of airiness, the plentiful wood paneling on the walls kept it dark and feeling damp, and so the couple bleached the walls to better reflect natural light.
Referencing the First Presbyterian Church’s slate roof, 12 + Alder makes nice to its divine neighbor.
Referencing the First Presbyterian Church’s slate roof, 12 + Alder makes nice to its divine neighbor.
The roughly 5,000-square-foot Lens House renovation, which was finished in 2012 and just won a 2014 RIBA National Award, required six years, major remedial work on the roof and walls, approval from the planning committee, and even a sign-off from a horticulturalist to guarantee the backyard excavation didn't interfere with a walnut tree. "These things aren’t for people who are in a hurry," says architect Alison Brooks. The focus is the ten-sided trapezoidal office addition. "It wraps itself around the house with a completely different set of rules than the Victorian building," she says.
The roughly 5,000-square-foot Lens House renovation, which was finished in 2012 and just won a 2014 RIBA National Award, required six years, major remedial work on the roof and walls, approval from the planning committee, and even a sign-off from a horticulturalist to guarantee the backyard excavation didn't interfere with a walnut tree. "These things aren’t for people who are in a hurry," says architect Alison Brooks. The focus is the ten-sided trapezoidal office addition. "It wraps itself around the house with a completely different set of rules than the Victorian building," she says.
The architect chose granite for the house’s base, zinc for its roof, and Scandinavian pinewood for cladding—all materials that complement the nearby gray stone building.
The architect chose granite for the house’s base, zinc for its roof, and Scandinavian pinewood for cladding—all materials that complement the nearby gray stone building.
Seen from a distance, the farmhouse has a time-honored quality, though it’s still clearly a product of the 21st century.
Seen from a distance, the farmhouse has a time-honored quality, though it’s still clearly a product of the 21st century.
From the entrance, the cantilevered structure wraps around to reveal a comparatively more modest side that bows to the mountains and floats on the meadow.
From the entrance, the cantilevered structure wraps around to reveal a comparatively more modest side that bows to the mountains and floats on the meadow.