SubscribeSign In
a
Collection by Adrian Valdez

Dream House

View 11 Photos
Ryan McLaughlin watches the sunset from the deck of the 160-square-foot tiny home he built, with no prior experience, at his parents’ horse ranch in Georgetown, Texas. Soon, the trailer-mounted cabin will be moved to a vineyard, where it will operate grid-free and be available to rent for short stays.
Ryan McLaughlin watches the sunset from the deck of the 160-square-foot tiny home he built, with no prior experience, at his parents’ horse ranch in Georgetown, Texas. Soon, the trailer-mounted cabin will be moved to a vineyard, where it will operate grid-free and be available to rent for short stays.
The structures are sprawling yet largely imperceptible. Like its counterparts, Villa 2—containing guest bedrooms, a spa, and a network of outdoor havens—extends into the hillside, cloaked in energy-saving green roofs. The new landscaping cuts water usage on the property by 70 percent compared to previous levels.
The structures are sprawling yet largely imperceptible. Like its counterparts, Villa 2—containing guest bedrooms, a spa, and a network of outdoor havens—extends into the hillside, cloaked in energy-saving green roofs. The new landscaping cuts water usage on the property by 70 percent compared to previous levels.
City Cabin | Olson Kundig
City Cabin | Olson Kundig
High Desert House is composed of 26 freestanding, concrete columns that look like rib bones.
High Desert House is composed of 26 freestanding, concrete columns that look like rib bones.
Built with a steel frame, the Frost House features panels of styrofoam between aluminum sheets for the exterior walls and styrofoam between plywood for the roof and floors. Bold, primary colors accentuate its geometric form. Shortly after Karen Valentine and Bob Coscarelli purchased the home in 2016, they began to unearth nuggets of information about its pedigree. Their realtor had provided a brochure that identified the prefab as designed by architect Emil Tessin for the now-defunct Alside Homes Corporation based out of Akron, Ohio, which had held a patent for the structure’s aluminum paneling. Their new neighbors provided a stack of Alside Homes sales materials, floor plans of various models, and even a script that had been written for salespeople during home tours. They determined that the Frost House had been a sales model for the company, and that Tessin had been the son of Emil Albert Tessin, the legal guardian of Florence Knoll.
Built with a steel frame, the Frost House features panels of styrofoam between aluminum sheets for the exterior walls and styrofoam between plywood for the roof and floors. Bold, primary colors accentuate its geometric form. Shortly after Karen Valentine and Bob Coscarelli purchased the home in 2016, they began to unearth nuggets of information about its pedigree. Their realtor had provided a brochure that identified the prefab as designed by architect Emil Tessin for the now-defunct Alside Homes Corporation based out of Akron, Ohio, which had held a patent for the structure’s aluminum paneling. Their new neighbors provided a stack of Alside Homes sales materials, floor plans of various models, and even a script that had been written for salespeople during home tours. They determined that the Frost House had been a sales model for the company, and that Tessin had been the son of Emil Albert Tessin, the legal guardian of Florence Knoll.
In the Norton family home in London’s Stoke Newington district, Jamie Norton and his sons, Miller, 3, and Ned, 7, enjoy a meal at a salvaged table and chairs found at a local vintage shop. The ceramics are by Richard Batterham.
In the Norton family home in London’s Stoke Newington district, Jamie Norton and his sons, Miller, 3, and Ned, 7, enjoy a meal at a salvaged table and chairs found at a local vintage shop. The ceramics are by Richard Batterham.
A series of long stairs leads to Maison Amtrak, which is set below street level. The entranceway demonstrates Cohen’s love of Japanese design with a geometric simplicity matched only by the formal elegance of the stained Douglas fir two-by-fours.
A series of long stairs leads to Maison Amtrak, which is set below street level. The entranceway demonstrates Cohen’s love of Japanese design with a geometric simplicity matched only by the formal elegance of the stained Douglas fir two-by-fours.