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Collection by Jordan Imutan

Dream home

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It’s important to confirm that there are no rotten columns, beams, or other damaged supporting elements before you buy a home.
It’s important to confirm that there are no rotten columns, beams, or other damaged supporting elements before you buy a home.
The living and kitchen areas were reconfigured to seamlessly join a terrace surfaced with artificial turf and Nature Teka decking by Disegna. The beam was coated in a shade of turquoise paint that matches the Acapulco chairs.
The living and kitchen areas were reconfigured to seamlessly join a terrace surfaced with artificial turf and Nature Teka decking by Disegna. The beam was coated in a shade of turquoise paint that matches the Acapulco chairs.
"We didn't want to diminish the openness and height and feeling of a great expanse of space," said the owner of this resurrected 19th-century barn house in Pine Plains, New York. Fortunately, the barn frame's horizontal beams perform a domestic function by creating the illusion of a lower ceiling. An abundance of furnishings in rich materials fills out the space. Photo by Raimund Koch.
"We didn't want to diminish the openness and height and feeling of a great expanse of space," said the owner of this resurrected 19th-century barn house in Pine Plains, New York. Fortunately, the barn frame's horizontal beams perform a domestic function by creating the illusion of a lower ceiling. An abundance of furnishings in rich materials fills out the space. Photo by Raimund Koch.
Gesner’s house for John Scantlin,1965, highlighting the structure of the single ridge beam, and its lateral rib-like beams, rising up and out toward the view. Photo by Juergen Nogai
Gesner’s house for John Scantlin,1965, highlighting the structure of the single ridge beam, and its lateral rib-like beams, rising up and out toward the view. Photo by Juergen Nogai
Stained white oak spreads across the living room under Douglas fir beams. At the far end of the room, a Jonathan Adler lamp stands next to an original limestone fireplace that was restored.
Stained white oak spreads across the living room under Douglas fir beams. At the far end of the room, a Jonathan Adler lamp stands next to an original limestone fireplace that was restored.
Steps from the main structure is a 240-square-foot studio, which comes with a kitchenette and bath, and sits next to the Airstream. The sale also includes the original drawings Tay created for a phase-two addition that could be used to expand the living space and entrance foyer.
Steps from the main structure is a 240-square-foot studio, which comes with a kitchenette and bath, and sits next to the Airstream. The sale also includes the original drawings Tay created for a phase-two addition that could be used to expand the living space and entrance foyer.