SubscribeSign In
l
Collection by Leslie Hendry

dining room/dining chairs

View 7 Photos
A Danca dos Ratos, a massive diptych by Luiza, hangs in the living/dining area. CH-24 Wishbone chairs by Hans Wegner for Carl Hansen & Søn surround a table designed by Tito. A vintage Thonet rocker sits next to armchairs that were brought from Germany by Luiza’s grandmother during World War II.
A Danca dos Ratos, a massive diptych by Luiza, hangs in the living/dining area. CH-24 Wishbone chairs by Hans Wegner for Carl Hansen & Søn surround a table designed by Tito. A vintage Thonet rocker sits next to armchairs that were brought from Germany by Luiza’s grandmother during World War II.
Black HAY dining chairs and Hooked pendants by Buster and Punch contrast with the dining room’s rustic floorboards, by Eco Hardwood, and the fine detailing of the fireplace.
Black HAY dining chairs and Hooked pendants by Buster and Punch contrast with the dining room’s rustic floorboards, by Eco Hardwood, and the fine detailing of the fireplace.
Painted beams serve to separate interior spaces.
Painted beams serve to separate interior spaces.
Carl Hansen & Søn Wishbone Chair
Carl Hansen & Søn Wishbone Chair
When architect Nick Martin was hired to rework an art curator’s Hamptons property into a Zen-like getaway from the big city, he took an appropriately holistic view. It’s the beach house that’s got it all: green technology; passive solar design; rich materials; an expansive feeling, despite a petite half-acre corner lot; and a design concept that references its humble beginnings as an off-the-rack kit house.
When architect Nick Martin was hired to rework an art curator’s Hamptons property into a Zen-like getaway from the big city, he took an appropriately holistic view. It’s the beach house that’s got it all: green technology; passive solar design; rich materials; an expansive feeling, despite a petite half-acre corner lot; and a design concept that references its humble beginnings as an off-the-rack kit house.
In 2006, Claus—director of Claus en Kaan Architecten, one of the Netherlands’ top architectural practices—finally got inside Perret’s apartment. He was duly impressed. “It’s the sheer abundance with which limited materials are used here that first struck me,” he says. “The wall-to-wall French oak paneling, combined with materials that were ahead of their time—columns made not from marble but from stone-blasted concrete, the extraordinary round plaster ceiling inset, and the fiber-wood paneling—and his attention to the tiniest of details.” He tracked down the organization that owns the apartment, the Association Auguste Perret, to see if he and his wife could rent the unit as a pied-à-terre. To his surprise, they said yes. In the dining room, a marble-topped table by Eero Saarinen is ringed with Eames wire chairs. Through oak accordion doors, the atrium beckons with red Utrecht armchairs by Gerrit Rietveld and a yellow Diana table by Konstantin Grcic.
In 2006, Claus—director of Claus en Kaan Architecten, one of the Netherlands’ top architectural practices—finally got inside Perret’s apartment. He was duly impressed. “It’s the sheer abundance with which limited materials are used here that first struck me,” he says. “The wall-to-wall French oak paneling, combined with materials that were ahead of their time—columns made not from marble but from stone-blasted concrete, the extraordinary round plaster ceiling inset, and the fiber-wood paneling—and his attention to the tiniest of details.” He tracked down the organization that owns the apartment, the Association Auguste Perret, to see if he and his wife could rent the unit as a pied-à-terre. To his surprise, they said yes. In the dining room, a marble-topped table by Eero Saarinen is ringed with Eames wire chairs. Through oak accordion doors, the atrium beckons with red Utrecht armchairs by Gerrit Rietveld and a yellow Diana table by Konstantin Grcic.