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Soori Bali's one-bedroom Mountain Pool Villas and Beach Villas have their own private pools and views of either Mount Batukaru or a peaceful stretch of volcanic black sand beach. The 8,664-square-foot, two-level, three-bedroom residences overlook rice fields and the Indian Ocean. They include outdoor pavilions and terraces, landscaped gardens with water features, and an ocean-facing infinity pool.
Soori Bali's one-bedroom Mountain Pool Villas and Beach Villas have their own private pools and views of either Mount Batukaru or a peaceful stretch of volcanic black sand beach. The 8,664-square-foot, two-level, three-bedroom residences overlook rice fields and the Indian Ocean. They include outdoor pavilions and terraces, landscaped gardens with water features, and an ocean-facing infinity pool.
For this Swedish kitchen, an extra-thin slab of Carrara marble was used for the countertop and backsplash so that it would recede into the space, not overwhelm it. The room is also outfitted with IKEA cabinets painted a serene powder blue—adding a vintage vibe, and a high-low sense of style.
For this Swedish kitchen, an extra-thin slab of Carrara marble was used for the countertop and backsplash so that it would recede into the space, not overwhelm it. The room is also outfitted with IKEA cabinets painted a serene powder blue—adding a vintage vibe, and a high-low sense of style.
The house features several courtyards, conveying an ever-present sense of indoor-outdoor living. Concrete walls are lined with yellow jasmine, and the wall sculpture is taken from Manuel Felguérez’s fence for the National Anthropology Museum.
The house features several courtyards, conveying an ever-present sense of indoor-outdoor living. Concrete walls are lined with yellow jasmine, and the wall sculpture is taken from Manuel Felguérez’s fence for the National Anthropology Museum.
The ceramics studio was formerly a pergola wrapped in chicken wire, used as a dog kennel by the previous owner. Inside the new structure, a vintage Danish chair, found on eBay, provides a modern perch. The windows’ deep mullions double as display shelves.
The ceramics studio was formerly a pergola wrapped in chicken wire, used as a dog kennel by the previous owner. Inside the new structure, a vintage Danish chair, found on eBay, provides a modern perch. The windows’ deep mullions double as display shelves.
Traditionally home to merchants and craftspeople, a machiya is a type of Japanese wooden townhouse that originated in the Heian period and developed through the Edo and Meiji periods.
Traditionally home to merchants and craftspeople, a machiya is a type of Japanese wooden townhouse that originated in the Heian period and developed through the Edo and Meiji periods.
Organized around a central courtyard, the home’s three modules are oriented to maximize views of downtown Marfa; 20-foot-deep piers drilled below each concrete footing root the structure to the site and help stabilize it against West Texas winds, which can reach 120 miles per hour.
Organized around a central courtyard, the home’s three modules are oriented to maximize views of downtown Marfa; 20-foot-deep piers drilled below each concrete footing root the structure to the site and help stabilize it against West Texas winds, which can reach 120 miles per hour.
Tribeca Manufacturing Building New York–based architect Andrew Franz undertook the renovation of a landmark circa-1884 former soap warehouse in Tribeca, originally designed by George W. DaCunha in the Romanesque Revival style. Franz reorganized and modernized the six-story building—which retains its original 16-foot beam ceilings, brick walls, timber columns, and elevator winches from the former freight shaft—by incorporating steel, glass, handmade tile, and lacquer to complement the masonry and heavy timber. An interior courtyard and rectangular mezzanine are situated below the original 16-foot gull-wing ceiling planes.
Tribeca Manufacturing Building New York–based architect Andrew Franz undertook the renovation of a landmark circa-1884 former soap warehouse in Tribeca, originally designed by George W. DaCunha in the Romanesque Revival style. Franz reorganized and modernized the six-story building—which retains its original 16-foot beam ceilings, brick walls, timber columns, and elevator winches from the former freight shaft—by incorporating steel, glass, handmade tile, and lacquer to complement the masonry and heavy timber. An interior courtyard and rectangular mezzanine are situated below the original 16-foot gull-wing ceiling planes.