Collection by Hood Canal Resort

Cool Homes

Upon entering the home, a central gathering of clerestory windows immediately focuses the view. Architects Bridgett Shank and Megan Carter refer to this architectural feature as a ‘light monitor.’
Upon entering the home, a central gathering of clerestory windows immediately focuses the view. Architects Bridgett Shank and Megan Carter refer to this architectural feature as a ‘light monitor.’
In 2013, Jennifer Warner and Cara Frey fell in love with a modest but charming 1920s house within walking distance of their bungalow. The dwelling was dramatically sited, with great views of Portland’s southwest hills and downtown. But according to Michael Leckie, the Vancouver–based architect they eventually hired, "It was the dumpiest house on the block." Leckie replaced the house with a simple, modern design, using a basic square wood box that skews into a rhombus form, which he topped with a sloping roof. Their son, William, 6, swings in front of the cedar-clad house.
In 2013, Jennifer Warner and Cara Frey fell in love with a modest but charming 1920s house within walking distance of their bungalow. The dwelling was dramatically sited, with great views of Portland’s southwest hills and downtown. But according to Michael Leckie, the Vancouver–based architect they eventually hired, "It was the dumpiest house on the block." Leckie replaced the house with a simple, modern design, using a basic square wood box that skews into a rhombus form, which he topped with a sloping roof. Their son, William, 6, swings in front of the cedar-clad house.
Sooke House 01 is located on a multiacre lot on the southern tip of Vancouver Island in British Columbia, surrounded by Douglas fir, Sitka spruce, and cedar trees. At the entry, Campos Studio split the roofline to accommodate an existing tree.
Sooke House 01 is located on a multiacre lot on the southern tip of Vancouver Island in British Columbia, surrounded by Douglas fir, Sitka spruce, and cedar trees. At the entry, Campos Studio split the roofline to accommodate an existing tree.
The sleeping cabin perches on a rocky rise near the Floating House; Meredith imagines these two as a start of a string of buildings that will wrap around the island.
The sleeping cabin perches on a rocky rise near the Floating House; Meredith imagines these two as a start of a string of buildings that will wrap around the island.
Tasmania, Australia
Dwell Magazine : September / October 2017
Tasmania, Australia Dwell Magazine : September / October 2017
In addition to the use of prefab construction for minimal site impact, the modular steel-framed cabins are also fitted with low-E glass, green roofs, and are connected to an eco-friendly wastewater treatment system.
In addition to the use of prefab construction for minimal site impact, the modular steel-framed cabins are also fitted with low-E glass, green roofs, and are connected to an eco-friendly wastewater treatment system.
Lofted amid eucalyptus and oak trees, Graham Paarman’s house in South Africa is a glassed-in, steel-frame structure with a veil of vertical slats. Excluding outdoor areas, it measures about 720 square feet. Half-round bays project to form a balcony, a pergola, a dining alcove, and a bathroom.
Lofted amid eucalyptus and oak trees, Graham Paarman’s house in South Africa is a glassed-in, steel-frame structure with a veil of vertical slats. Excluding outdoor areas, it measures about 720 square feet. Half-round bays project to form a balcony, a pergola, a dining alcove, and a bathroom.
The resort was envisioned as a base for adventures around the island, of which there are many. Guests can enjoy outdoor activities like diving, kayaking, fishing, mountaineering or take it easy and relax in the sauna, hot water bath, and other social gathering areas.
The resort was envisioned as a base for adventures around the island, of which there are many. Guests can enjoy outdoor activities like diving, kayaking, fishing, mountaineering or take it easy and relax in the sauna, hot water bath, and other social gathering areas.
Remarkable for its walls of triple-glazed glass, Snorre Stinessen Architecture’s Ejford Cabin straddles two stone ridges on northern Norway’s Hallvardøy Island. Perched on a concrete slab, it intentionally capitalizes upon passive solar conditions and features thick insulation to minimize energy output.
Remarkable for its walls of triple-glazed glass, Snorre Stinessen Architecture’s Ejford Cabin straddles two stone ridges on northern Norway’s Hallvardøy Island. Perched on a concrete slab, it intentionally capitalizes upon passive solar conditions and features thick insulation to minimize energy output.