Collection by Meg Dwyer
Colorful Intentions
The house that came with the lot had suffered years of neglect, but its old bricks were readily salvageable. Moore combined these with others taken from local demolition yards, piecing together beautiful, two-tone walls flecked with brightly painted pink, orange, lime green, and white bricks salvaged from a Denver elementary school.
Can you tell us a bit about how you found the storefront and what the space was like pre-renovation? How does the architecture complement the pieces for sale?
The site came on the market (quietly) and we were really taken by the opportunity afforded by the unusual space. There just isn’t anything in the neighborhood that compares. We’ve got a lot of exposure from the street, which brings in natural light and the front room. With the double height ceiling, it's a dramatic backdrop for our products. Prior to our renovation, the front and back were completely disconnected. We took the dividing wall down and opened up the space to bring some of the light and air deeper in the store. And from a programming perspective, we wanted to showcase pieces from the home in the areas that they would be used, so we designed “rooms” with basic functions: kitchen, bath, and living.
The open living-and-bedroom area of Ian Hague’s rural retreat can be divided by a wall that rises from within the master-suite platform. Interior designer Elaine Santos blended her client’s collection of vintage furniture with no-fuss pieces like a Shaker-style bench by Ilse Crawford for De La Espada.