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Collection by Ana Herrera

Cocinas

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Del Gaudio made the pendants in the kitchen from rayon electrical cord, ceramic sockets, and Satco Par38 bulbs. She also designed the kitchen casing, which was fabricated locally in American black walnut left over from the floor. A mix of seating—vintage Paul McCobb Planner Group and newly purchased metal Tolix chairs—are arranged around a dining table from Restoration Hardware.
Del Gaudio made the pendants in the kitchen from rayon electrical cord, ceramic sockets, and Satco Par38 bulbs. She also designed the kitchen casing, which was fabricated locally in American black walnut left over from the floor. A mix of seating—vintage Paul McCobb Planner Group and newly purchased metal Tolix chairs—are arranged around a dining table from Restoration Hardware.
Contreras can take his breakfast at a polished marble bar overhung by Tom Dixon pendant lights. A walnut cabinet system reaches from floor to ceiling, dividing the kitchen from the master bedroom.
Contreras can take his breakfast at a polished marble bar overhung by Tom Dixon pendant lights. A walnut cabinet system reaches from floor to ceiling, dividing the kitchen from the master bedroom.
In the kitchen, the showstopping ceiling’s herringbone pattern is echoed by the terra-cotta tiles on the floor. Architect Michael O’Sullivan, who designed the steel-and-glass kitchen cabinets, the table, and the pendant lights (made by Lava Glass), further amped up the richness of the room by specifying an onyx kitchen island. Interior designer Yvette Jay, a collaborator and classmate of O’Sullivan, kept her material palette “tight and limited. I had to restrict myself so that everything here ties in with the architecture.”
In the kitchen, the showstopping ceiling’s herringbone pattern is echoed by the terra-cotta tiles on the floor. Architect Michael O’Sullivan, who designed the steel-and-glass kitchen cabinets, the table, and the pendant lights (made by Lava Glass), further amped up the richness of the room by specifying an onyx kitchen island. Interior designer Yvette Jay, a collaborator and classmate of O’Sullivan, kept her material palette “tight and limited. I had to restrict myself so that everything here ties in with the architecture.”