Collection by Kathleen A Metzger

Cabins

collection

In Texas, where everything is bigger, Ryan McLaughlin is placing his bets on something small. Specifically, a simple 160-square-foot cabin that he hopes city-dwellers will book to get away, find some focus, and reconnect with nature. The result is a laidback, pitched-roof cabin in which every inch of space is thoughtfully allotted so that guests can spend the maximum amount of time outdoors.
In Texas, where everything is bigger, Ryan McLaughlin is placing his bets on something small. Specifically, a simple 160-square-foot cabin that he hopes city-dwellers will book to get away, find some focus, and reconnect with nature. The result is a laidback, pitched-roof cabin in which every inch of space is thoughtfully allotted so that guests can spend the maximum amount of time outdoors.
Lofted amid eucalyptus and oak trees, Graham Paarman’s house in South Africa is a glassed-in, steel-frame structure with a veil of vertical slats. Excluding outdoor areas, it measures about 720 square feet. Half-round bays project to form a balcony, a pergola, a dining alcove, and a bathroom.
Lofted amid eucalyptus and oak trees, Graham Paarman’s house in South Africa is a glassed-in, steel-frame structure with a veil of vertical slats. Excluding outdoor areas, it measures about 720 square feet. Half-round bays project to form a balcony, a pergola, a dining alcove, and a bathroom.
The family retreat abuts a rocky cliff in Herfell, Norway. The central cabin provides communal living spaces, while the two cabins that flank it are used as private sleeping quarters.
The family retreat abuts a rocky cliff in Herfell, Norway. The central cabin provides communal living spaces, while the two cabins that flank it are used as private sleeping quarters.
A cantilevered cabin designed by R D Gentzler blends into the forest, even as it hovers above a 20-foot drop-off. Its south face is almost entirely glass, but a roof canopy limits solar gain. “We sit on the deck all afternoon watching the trees, and the time just flies by,” says resident Maricela Salas.
A cantilevered cabin designed by R D Gentzler blends into the forest, even as it hovers above a 20-foot drop-off. Its south face is almost entirely glass, but a roof canopy limits solar gain. “We sit on the deck all afternoon watching the trees, and the time just flies by,” says resident Maricela Salas.
This Solar Egg is a public art installation meets sauna for residents of Kiruna, Sweden to enjoy.
This Solar Egg is a public art installation meets sauna for residents of Kiruna, Sweden to enjoy.
The stairwell leads to the main dining room and kitchen, where gray plaster and oiled larch wood joinery create a softer environment. The custom dining table, built by GRG Carpenteria, is surrounded by a set of Philippe Stark Toy armchairs.
The stairwell leads to the main dining room and kitchen, where gray plaster and oiled larch wood joinery create a softer environment. The custom dining table, built by GRG Carpenteria, is surrounded by a set of Philippe Stark Toy armchairs.
This clever take on a bach by Crosson Clarke Carnachan Architects sits atop two solid timber sleds that allow the beach house to be relocated as needed to cope with erosion of the site. The 430-square-foot retreat is located on the idyllic Coromandel Peninsula and sleeps a family of five. The textured macrocarpa cladding blends into the surrounding landscape, and it protects the home from the often harsh coastal environment.
This clever take on a bach by Crosson Clarke Carnachan Architects sits atop two solid timber sleds that allow the beach house to be relocated as needed to cope with erosion of the site. The 430-square-foot retreat is located on the idyllic Coromandel Peninsula and sleeps a family of five. The textured macrocarpa cladding blends into the surrounding landscape, and it protects the home from the often harsh coastal environment.
"We did our best to tuck the buildings into the site—the goal was to get up high on a perch. It was a matter of setting that elevation and working back down with the topography," says architectural designer Riley Pratt.
"We did our best to tuck the buildings into the site—the goal was to get up high on a perch. It was a matter of setting that elevation and working back down with the topography," says architectural designer Riley Pratt.
“People scold us if we don’t raise the kite,” says Holm (sitting with Kiehl,). From the bench outside, the couple can wave to friends passing in boats and make use of the long summer evenings.
“People scold us if we don’t raise the kite,” says Holm (sitting with Kiehl,). From the bench outside, the couple can wave to friends passing in boats and make use of the long summer evenings.

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