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Collection by David Kozlowski

Cabin

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superrkül dubbed this project the Stealth Cabin because it's hidden in the landscape and will continue to recede in view over time. Photo by Shai Gil.
superrkül dubbed this project the Stealth Cabin because it's hidden in the landscape and will continue to recede in view over time. Photo by Shai Gil.
The House for a Musher is all about taking advantage of its hilltop site. The courtyard in the front has vast views and the house itself is oriented toward the surrounding landscape.
The House for a Musher is all about taking advantage of its hilltop site. The courtyard in the front has vast views and the house itself is oriented toward the surrounding landscape.
Olson Kundig Architects' Delta Shelter, in Mazama, Washington, is a 1,000 square-foot steel box home with a 200 square-foot footprint. Photo by Olson Sundberg Kundig Allen Architects/TASCHEN.
Olson Kundig Architects' Delta Shelter, in Mazama, Washington, is a 1,000 square-foot steel box home with a 200 square-foot footprint. Photo by Olson Sundberg Kundig Allen Architects/TASCHEN.
Large sliding glass doors allow daylight to fill the living room. Smaller windows are placed in the kitchen area and the sleeping loft. The exterior is clad in heart pine which needs very little up-keep and is known for its strength and hardness.
Large sliding glass doors allow daylight to fill the living room. Smaller windows are placed in the kitchen area and the sleeping loft. The exterior is clad in heart pine which needs very little up-keep and is known for its strength and hardness.
The house may appear conventional at a glance, but a closer look shows how Oostenbruggen has pushed the boundaries of the traditional gabled typology. It has an asymmetrical roof, with slate shingles that extend down the eastern side to close it off completely.
The house may appear conventional at a glance, but a closer look shows how Oostenbruggen has pushed the boundaries of the traditional gabled typology. It has an asymmetrical roof, with slate shingles that extend down the eastern side to close it off completely.
With one side of the house closed off, views are directed through the glazed south and west facades to the grassy clearing beyond. "We planted tens of thousands of blue bells and lots of rhododendrons," Oostenbruggen says of the green space. "The setting developed over time."
With one side of the house closed off, views are directed through the glazed south and west facades to the grassy clearing beyond. "We planted tens of thousands of blue bells and lots of rhododendrons," Oostenbruggen says of the green space. "The setting developed over time."
The house is divided into three sections connected by a series of outdoor galleries. “When I walk from one room to another, I have to go outdoors and feel the weather and nature—rain, cold, and sun,” says Sævik. Instead of emphasizing the expansive panorama of oak, pine, and aspen trees, the house frames select views—a move inspired by Japanese design.
The house is divided into three sections connected by a series of outdoor galleries. “When I walk from one room to another, I have to go outdoors and feel the weather and nature—rain, cold, and sun,” says Sævik. Instead of emphasizing the expansive panorama of oak, pine, and aspen trees, the house frames select views—a move inspired by Japanese design.
Sited parallel to each other, the two autonomous bedroom cabins frame perspectival views of the surrounding landscape. Exteriors of all three structures feature mitered corners and cross-laminated timber panels, all nailed by hand.
Sited parallel to each other, the two autonomous bedroom cabins frame perspectival views of the surrounding landscape. Exteriors of all three structures feature mitered corners and cross-laminated timber panels, all nailed by hand.
When they are eventually integrated into the parks, the cabins are meant to stand in groups of ten to 15.
When they are eventually integrated into the parks, the cabins are meant to stand in groups of ten to 15.
“They wanted the new cabin to make a ‘L’ shape with the older cabin, but I convinced them to mimic the old cabin on the opposite side,” architect D’Arcy Jones says. “So the new site has two buildings across from each other, like an equal sign.” Birch trees grow between the cabins in a shared courtyard.
“They wanted the new cabin to make a ‘L’ shape with the older cabin, but I convinced them to mimic the old cabin on the opposite side,” architect D’Arcy Jones says. “So the new site has two buildings across from each other, like an equal sign.” Birch trees grow between the cabins in a shared courtyard.