Collection by Stefan Cimpean
“They wanted the new cabin to make a ‘L’ shape with the older cabin, but I convinced them to mimic the old cabin on the opposite side,” architect D’Arcy Jones says. “So the new site has two buildings across from each other, like an equal sign.” Birch trees grow between the cabins in a shared courtyard.
“They wanted the new cabin to make a ‘L’ shape with the older cabin, but I convinced them to mimic the old cabin on the opposite side,” architect D’Arcy Jones says. “So the new site has two buildings across from each other, like an equal sign.” Birch trees grow between the cabins in a shared courtyard.
Estate Bungalow in Matugama, Sri Lanka, by Narein Perera as published in Cabins (Taschen, 2014).
Estate Bungalow in Matugama, Sri Lanka, by Narein Perera as published in Cabins (Taschen, 2014).
When they are eventually integrated into the parks, the cabins are meant to stand in groups of ten to 15.
When they are eventually integrated into the parks, the cabins are meant to stand in groups of ten to 15.
Designed by Cal Poly Pomona students, this factory-built Wedge cabin prototype features plywood interiors for a raw and rustic vibe.
Designed by Cal Poly Pomona students, this factory-built Wedge cabin prototype features plywood interiors for a raw and rustic vibe.
Situated between the main living space and the other bedroom, the middle cabin is furnished with a Calder side table by Konstantin Grcic, a vintage Dalu lamp by Vico Magistretti, and handwoven blankets from Swans Island Company.
Situated between the main living space and the other bedroom, the middle cabin is furnished with a Calder side table by Konstantin Grcic, a vintage Dalu lamp by Vico Magistretti, and handwoven blankets from Swans Island Company.
The house is divided into three sections connected by a series of outdoor galleries. “When I walk from one room to another, I have to go outdoors and feel the weather and nature—rain, cold, and sun,” says Sævik. 

Instead of emphasizing the expansive panorama of oak, pine, and aspen trees, the house frames select views—a move inspired by Japanese design.
The house is divided into three sections connected by a series of outdoor galleries. “When I walk from one room to another, I have to go outdoors and feel the weather and nature—rain, cold, and sun,” says Sævik. Instead of emphasizing the expansive panorama of oak, pine, and aspen trees, the house frames select views—a move inspired by Japanese design.
A polychrome facade made of salvaged, 100-year-old barnwood gives this small, lofted cottage space its unique character. Its copper roof is also reclaimed, a lucky Craigslist find from a local remodel. Though the structure has a footprint of just 11' x 14', it provides a useful space to entertain, catch up on work, or relax.
A polychrome facade made of salvaged, 100-year-old barnwood gives this small, lofted cottage space its unique character. Its copper roof is also reclaimed, a lucky Craigslist find from a local remodel. Though the structure has a footprint of just 11' x 14', it provides a useful space to entertain, catch up on work, or relax.
The bedroom is to the immediate right of the entrance; the architects selected plywood for interior surfacing for the warm tones it provided. The aluminum spacers allow for easy installation—they have greater tolerances for gaps as compared to other joints—while doubling as a decorative element.
The bedroom is to the immediate right of the entrance; the architects selected plywood for interior surfacing for the warm tones it provided. The aluminum spacers allow for easy installation—they have greater tolerances for gaps as compared to other joints—while doubling as a decorative element.
Deep eaves prevent the entrance from being buried in snow. The clients can see directly into the valley and mountains below.
Deep eaves prevent the entrance from being buried in snow. The clients can see directly into the valley and mountains below.
Kartheiser’s private courtyard includes a covered seating area and fire pit, designed by Roberts.
Kartheiser’s private courtyard includes a covered seating area and fire pit, designed by Roberts.
Rocks that were unearthed while digging the foundation make up the hardscape in the rear, beyond the open porch. “It’s one of my favorite parts of the house,” says resident Laura Sohn. Sanders Pace Architecture finished the exterior in western red cedar treated with Sikkens Cetol.
Rocks that were unearthed while digging the foundation make up the hardscape in the rear, beyond the open porch. “It’s one of my favorite parts of the house,” says resident Laura Sohn. Sanders Pace Architecture finished the exterior in western red cedar treated with Sikkens Cetol.
Large sliding glass doors allow daylight to fill the living room. Smaller windows are placed in the kitchen area and the sleeping loft. The exterior is clad in heart pine which needs very little up-keep and is known for its strength and hardness.
Large sliding glass doors allow daylight to fill the living room. Smaller windows are placed in the kitchen area and the sleeping loft. The exterior is clad in heart pine which needs very little up-keep and is known for its strength and hardness.
The hideaway grows darker as residents move through the space toward the bedroom. The only light in the sleeping space enters indirectly from the nearby glass façade, as well as from a small ventilation window in the northern corner.
The hideaway grows darker as residents move through the space toward the bedroom. The only light in the sleeping space enters indirectly from the nearby glass façade, as well as from a small ventilation window in the northern corner.
Subtle features incorporated into the design, including an elevated terrace and jetty, help the home float above the island.
Subtle features incorporated into the design, including an elevated terrace and jetty, help the home float above the island.
"We did our best to tuck the buildings into the site—the goal was to get up high on a perch. It was a matter of setting that elevation and working back down with the topography," says architectural designer Riley Pratt.
"We did our best to tuck the buildings into the site—the goal was to get up high on a perch. It was a matter of setting that elevation and working back down with the topography," says architectural designer Riley Pratt.
The House for a Musher is all about taking advantage of its hilltop site. The courtyard in the front has vast views and the house itself is oriented toward the surrounding landscape.
The House for a Musher is all about taking advantage of its hilltop site. The courtyard in the front has vast views and the house itself is oriented toward the surrounding landscape.
Regain focus and boost your productivity—here, we walk you through seven steps to soundproofing your home office.
Regain focus and boost your productivity—here, we walk you through seven steps to soundproofing your home office.
superrkül dubbed this project the Stealth Cabin because it's hidden in the landscape and will continue to recede in view over time. Photo by Shai Gil.
superrkül dubbed this project the Stealth Cabin because it's hidden in the landscape and will continue to recede in view over time. Photo by Shai Gil.
“There had been two or three primitive cabins on the property in the past, which resulted in a clearing that we utilized for the site,” Joseph Herrin says. “This allowed us to avoid any further tree removal for construction, and provided an opportunity to begin to restore that portion of the property with native landscaping.”
“There had been two or three primitive cabins on the property in the past, which resulted in a clearing that we utilized for the site,” Joseph Herrin says. “This allowed us to avoid any further tree removal for construction, and provided an opportunity to begin to restore that portion of the property with native landscaping.”