Collection by Mark Joynes
Johnsen oriented the building vertically to minimize the amount of grading and landscaping necessary for construction.
Johnsen oriented the building vertically to minimize the amount of grading and landscaping necessary for construction.
Rocks that were unearthed while digging the foundation make up the hardscape in the rear, beyond the open porch. “It’s one of my favorite parts of the house,” says resident Laura Sohn. Sanders Pace Architecture finished the exterior in western red cedar treated with Sikkens Cetol.
Rocks that were unearthed while digging the foundation make up the hardscape in the rear, beyond the open porch. “It’s one of my favorite parts of the house,” says resident Laura Sohn. Sanders Pace Architecture finished the exterior in western red cedar treated with Sikkens Cetol.
The site needed a path that would let residents easily ascend from the bank to the house. The architects created one by simply replicating the way they had naturally walked up the site the first time they visited. The result is a meandering trail that directs visitors to the landscape’s different features — whether a majestic Arbutus tree, a private stone beach, or a wildflower clearing.
The site needed a path that would let residents easily ascend from the bank to the house. The architects created one by simply replicating the way they had naturally walked up the site the first time they visited. The result is a meandering trail that directs visitors to the landscape’s different features — whether a majestic Arbutus tree, a private stone beach, or a wildflower clearing.
The house is divided into three sections connected by a series of outdoor galleries. “When I walk from one room to another, I have to go outdoors and feel the weather and nature—rain, cold, and sun,” says Sævik. 

Instead of emphasizing the expansive panorama of oak, pine, and aspen trees, the house frames select views—a move inspired by Japanese design.
The house is divided into three sections connected by a series of outdoor galleries. “When I walk from one room to another, I have to go outdoors and feel the weather and nature—rain, cold, and sun,” says Sævik. Instead of emphasizing the expansive panorama of oak, pine, and aspen trees, the house frames select views—a move inspired by Japanese design.
Estate Bungalow in Matugama, Sri Lanka, by Narein Perera as published in Cabins (Taschen, 2014).
Estate Bungalow in Matugama, Sri Lanka, by Narein Perera as published in Cabins (Taschen, 2014).