Cabin

Estate Bungalow in Matugama, Sri Lanka, by Narein Perera as published in Cabins (Taschen, 2014).

Johnsen oriented the building vertically to minimize the amount of grading and landscaping necessary for construction.

Kartheiser’s private courtyard includes a covered seating area and fire pit, designed by Roberts.

“I believe that whenever you’re hiring an artist, and Funn is an artist, he’s going to do his best work if he’s trusted,” says Kartheiser.

The House for a Musher is all about taking advantage of its hilltop site. The courtyard in the front has vast views and the house itself is oriented toward the surrounding landscape.

The hideaway grows darker as residents move through the space toward the bedroom. The only light in the sleeping space enters indirectly from the nearby glass façade, as well as from a small ventilation window in the northern corner.

The house's ceiling was hewn from Douglas fir, which gives off a warm glow. The rafters were designed to emulate the look of strong ceiling beams.

The house is divided into three sections connected by a series of outdoor galleries. “When I walk from one room to another, I have to go outdoors and feel the weather and nature—rain, cold, and sun,” says Sævik. Instead of emphasizing the expansive panorama of oak, pine, and aspen trees, the house frames select views—a move inspired by Japanese design.

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“They wanted the new cabin to make a ‘L’ shape with the older cabin, but I convinced them to mimic the old cabin on the opposite side,” architect D’Arcy Jones says. “So the new site has two buildings across from each other, like an equal sign.” Birch trees grow between the cabins in a shared courtyard.

superrkül dubbed this project the Stealth Cabin because it's hidden in the landscape and will continue to recede in view over time. Photo by Shai Gil.

When not in use as the headboard, the large redwood slab folds down to become a desk.