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Collection by Jennifer Hamm

Budget

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In Texas, where everything is bigger, Ryan McLaughlin is placing his bets on something small. Specifically, a simple 160-square-foot cabin that he hopes city-dwellers will book to get away, find some focus, and reconnect with nature. The result is a laidback, pitched-roof cabin in which every inch of space is thoughtfully allotted so that guests can spend the maximum amount of time outdoors.
In Texas, where everything is bigger, Ryan McLaughlin is placing his bets on something small. Specifically, a simple 160-square-foot cabin that he hopes city-dwellers will book to get away, find some focus, and reconnect with nature. The result is a laidback, pitched-roof cabin in which every inch of space is thoughtfully allotted so that guests can spend the maximum amount of time outdoors.
In a chaotic stretch of Brooklyn, architect Nicholas Hunt built a 55-square-foot reprieve from the bustle in his own backyard. The studio, crafted with salvaged fence pickets and cedar planks, is crowned with a Plexiglas skylight.
In a chaotic stretch of Brooklyn, architect Nicholas Hunt built a 55-square-foot reprieve from the bustle in his own backyard. The studio, crafted with salvaged fence pickets and cedar planks, is crowned with a Plexiglas skylight.
When the Ferguson Sauder family—parents Meg, a school counselor, and Tim, a design instructor, plus kids Cole, Olive, and Asher—wanted a multifunctional backyard addition, they decided to build it themselves. Two Liftoff chairs by Tim Miller, one of Tim’s former students, surround an oil-drum fire pit set in granite dug up on the property. On the deck, the Panamericana chair is by Industry of All Nations.
When the Ferguson Sauder family—parents Meg, a school counselor, and Tim, a design instructor, plus kids Cole, Olive, and Asher—wanted a multifunctional backyard addition, they decided to build it themselves. Two Liftoff chairs by Tim Miller, one of Tim’s former students, surround an oil-drum fire pit set in granite dug up on the property. On the deck, the Panamericana chair is by Industry of All Nations.
Lyle Bradley spent years of weekends and evenings resurrecting an East Boston structure using his carpentry skills, repurposed materials, and clever space-saving interventions. The revitalized 800-square-foot residence joins a rejuvenated backyard, where Bradley’s wife, Kara Lashley, and their daughter, Lily, pose next to Bradley’s new freestanding workshop.
Lyle Bradley spent years of weekends and evenings resurrecting an East Boston structure using his carpentry skills, repurposed materials, and clever space-saving interventions. The revitalized 800-square-foot residence joins a rejuvenated backyard, where Bradley’s wife, Kara Lashley, and their daughter, Lily, pose next to Bradley’s new freestanding workshop.
Kitchen & Dining Room “This room really became the heart of the space,” Dawn Casale says. “If people are sitting at the dining table or in the living area, you’re able to have a really free-flowing conversation and there’s a nice dynamic happening on the entire floor.”
Kitchen & Dining Room “This room really became the heart of the space,” Dawn Casale says. “If people are sitting at the dining table or in the living area, you’re able to have a really free-flowing conversation and there’s a nice dynamic happening on the entire floor.”
A family of cost-conscious Hamburgers converted a kitschy turn-of-the-century villa into a high-design home with a strict budget in place. To unite the quaint masonry of the original villa with the squat, ugly add-on built flush against it, the architects decided to paint the old-fashioned facade graphite gray and then covered the box next door in plain, light-colored larch. Photo by Mark Seelen.
A family of cost-conscious Hamburgers converted a kitschy turn-of-the-century villa into a high-design home with a strict budget in place. To unite the quaint masonry of the original villa with the squat, ugly add-on built flush against it, the architects decided to paint the old-fashioned facade graphite gray and then covered the box next door in plain, light-colored larch. Photo by Mark Seelen.