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Collection by Dusko Amrich

BrickGlad

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“This way you have a sequence,” Lynch explains. “The stair is a circulator, and after you take off your coat, you can go downstairs to the powder room or up to the living floor.” On the other side of the millwork, he devised built-in storage and niches for display, as shown in the master bedroom, located on the second floor.
“This way you have a sequence,” Lynch explains. “The stair is a circulator, and after you take off your coat, you can go downstairs to the powder room or up to the living floor.” On the other side of the millwork, he devised built-in storage and niches for display, as shown in the master bedroom, located on the second floor.
The artwork extends nearly the length of the entire north-facing wall of the living-dining-kitchen area, which overlooks the back courtyard and the garage.
The artwork extends nearly the length of the entire north-facing wall of the living-dining-kitchen area, which overlooks the back courtyard and the garage.
In the living room, a pair of Frog chairs by Piero Lissoni for Living Divani join custom leather furnishings. The family can finally display all their books and artworks, including the large-scale piece, Topophilia-Imbuing in Monet, 2005, by Keiko Hara.
In the living room, a pair of Frog chairs by Piero Lissoni for Living Divani join custom leather furnishings. The family can finally display all their books and artworks, including the large-scale piece, Topophilia-Imbuing in Monet, 2005, by Keiko Hara.