Collection by Quintel Gwinn
The entrance to the main pavilion is defined by a pivoting glass door from Fleetwood (above left). The stairs lead to the media loft, where Inga Sempé’s Ruché sofa for Ligne Roset breaks up the gray. Among the couple’s few directives were tall ceilings, which Feldman covered in low-cost plywood sheets.
A young family resides in the five-bedroom house: Stephen, who works in advertising, Anita, a lawyer who works in financial services, two young children, and two basset hounds. The open-plan ground level is meant to be flexible, and its layout can be adapted as the family's needs change over time. Floor-to-ceiling windows overlook the river that runs right by the structure.






