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Collection by Cristian Balint

Bicana

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The cabin’s concept was simple: To create a cabin that is small and sparse yet spatially rich. The 55-square-meter (592-square-foot) cabin, commissioned by a private client and completed in 2016, comprises a large living room, bedroom, ski room, and small annex with a utility room. It functions off the water and electricity grids.
The cabin’s concept was simple: To create a cabin that is small and sparse yet spatially rich. The 55-square-meter (592-square-foot) cabin, commissioned by a private client and completed in 2016, comprises a large living room, bedroom, ski room, and small annex with a utility room. It functions off the water and electricity grids.
The Lai family—Mayuko, baby Shota on her lap, David, Maya, and Yumi sitting on a cushion on the deck—relaxes in their indoor-outdoor living space, made by opening the glass sliding doors to connect the living room and engawa deck.
The Lai family—Mayuko, baby Shota on her lap, David, Maya, and Yumi sitting on a cushion on the deck—relaxes in their indoor-outdoor living space, made by opening the glass sliding doors to connect the living room and engawa deck.
Native New Yorkers, the Merola family have long held a tradition of spending summers in Rhode Island. When they learned the costs of renovating their existing cottage would significantly outweigh the benefits, they instead opted to build new. The result—a distinctively modernist box structure clad in milled slats of charred, brushed, and oiled cypress manufactured by Delta Millworks—sits nestled within the marshy landscape of Quonochontaug Pond.
Native New Yorkers, the Merola family have long held a tradition of spending summers in Rhode Island. When they learned the costs of renovating their existing cottage would significantly outweigh the benefits, they instead opted to build new. The result—a distinctively modernist box structure clad in milled slats of charred, brushed, and oiled cypress manufactured by Delta Millworks—sits nestled within the marshy landscape of Quonochontaug Pond.
After an unprecedented year of earthquakes, hurricanes, and fires, a bright light has been shed on the benefits of building with concrete.
After an unprecedented year of earthquakes, hurricanes, and fires, a bright light has been shed on the benefits of building with concrete.
Architect Jesse Garlick’s rural Washington vacation home references its rugged surroundings. The steel cladding has developed a patina similar to the ochre-red color of bedrock found in the area.
Architect Jesse Garlick’s rural Washington vacation home references its rugged surroundings. The steel cladding has developed a patina similar to the ochre-red color of bedrock found in the area.
The owners’ goal was to transform the 19th-century building into a bold single-family residence. Historical architectural details were made modern with a striking black facade, while inside, a flexible living space that opens into an exterior garden enables a simplified lifestyle.
The owners’ goal was to transform the 19th-century building into a bold single-family residence. Historical architectural details were made modern with a striking black facade, while inside, a flexible living space that opens into an exterior garden enables a simplified lifestyle.
Constructed on land he had owned for years, this tiny cabin is also totally green.
Constructed on land he had owned for years, this tiny cabin is also totally green.
In realizing their dream to build a country retreat in upstate New York, Sandy Chilewich and Joe Sultan—proprietors of the textiles firm Chilewich|Sultan—eschewed a mountainous view for an understated wooded plot. At 800 square feet, the flat-roofed home is a modest structure for the expansive 10-acre property.
In realizing their dream to build a country retreat in upstate New York, Sandy Chilewich and Joe Sultan—proprietors of the textiles firm Chilewich|Sultan—eschewed a mountainous view for an understated wooded plot. At 800 square feet, the flat-roofed home is a modest structure for the expansive 10-acre property.
Original tongue-and-groove pine boards, restained a warm chestnut hue, run horizontally to the ceiling. The residents layered gray sheepskin rugs on top of wool berber carpeting, installed by Joseph Velletri’s Sons.
Original tongue-and-groove pine boards, restained a warm chestnut hue, run horizontally to the ceiling. The residents layered gray sheepskin rugs on top of wool berber carpeting, installed by Joseph Velletri’s Sons.
The facade of the three-bedroom house sports a series of extruded pine boxes, which create sheltered spaces that stand up to the area’s fluctuating weather. The owners, Isaac Pineus and Andrew Duncanson, spend summers here with their twin sons.
The facade of the three-bedroom house sports a series of extruded pine boxes, which create sheltered spaces that stand up to the area’s fluctuating weather. The owners, Isaac Pineus and Andrew Duncanson, spend summers here with their twin sons.
A band of precast concrete, which holds a custom bench, wraps around the downstairs living area. The striped cushion fabric was purchased in Antwerp. A wood-framed AP71 lounge chair by Hans Wegner and a seat by Wim Rietveld, the son of famed Dutch designer Gerrit Rietveld, outfit the space. Underfloor heating installed throughout the house allows for a flexible layout: “There aren’t any radiators cluttering up the rooms,” Jeffries explains.
A band of precast concrete, which holds a custom bench, wraps around the downstairs living area. The striped cushion fabric was purchased in Antwerp. A wood-framed AP71 lounge chair by Hans Wegner and a seat by Wim Rietveld, the son of famed Dutch designer Gerrit Rietveld, outfit the space. Underfloor heating installed throughout the house allows for a flexible layout: “There aren’t any radiators cluttering up the rooms,” Jeffries explains.
Inspired by the small scale of Japanese residences—in particular, Makoto Masuzawa’s 1952 Minimum House—architect Andrew Simpson designed his own economical 538-square-foot home set into a wooded site in Island Bay, a coastal suburb outside Wellington, New Zealand.
Inspired by the small scale of Japanese residences—in particular, Makoto Masuzawa’s 1952 Minimum House—architect Andrew Simpson designed his own economical 538-square-foot home set into a wooded site in Island Bay, a coastal suburb outside Wellington, New Zealand.
Large sliding glass doors allow daylight to fill the living room. Smaller windows are placed in the kitchen area and the sleeping loft. The exterior is clad in heart pine which needs very little up-keep and is known for its strength and hardness.
Large sliding glass doors allow daylight to fill the living room. Smaller windows are placed in the kitchen area and the sleeping loft. The exterior is clad in heart pine which needs very little up-keep and is known for its strength and hardness.