Collection by Kate
Float On
Clerestory windows from YKK Commercial give the illusion that the roof hovers above the house—a key factor in keeping the light, modern touch that the homeowners desired. Epstein did not design the clerestories in a single, straight line; the glass drops down where possible to allow the maximum amount of light. It took a bit of convincing to sway his clients. “He said, ‘Listen to me, stay with my concept, and you won’t be sorry,’” Tetreault recalls. “So I stuck with it, and I’m not sorry.”
Full Nelson
The bed in the master bedroom is actually two single 1950s George Nelson Thin Edge beds--made from birch, enameled metal, and cane--that Neely bought at auction at the John Toomey Gallery in Oak Park, Illinois. "I love the contrast of the white wall with the wood and woven material," says Neely, who likes to keep the beding simple--often a paisley from Ralph Lauren--so as not to detract from the bed's strong lines.
Turin designed the bed, console, and side tables in the master bedroom. The room gets plenty of illumination through the windows, which she had remade to match the 1925 detailing and covered in translucent Trevira fabric curtains by Rogers and Goffigon. “They provide privacy but lots of light comes through.”
The pair painted the upstairs master bedroom white, and added a G55 sling chair and leather baskets from their recent design collections. The carpet is from a souk in Casablanca, and the bedcover is from Zara Home. Atop the vintage cup-board is an artwork by Vereecke’s father. Verheyden incorporated all-new woodwork of his design into the room.
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