Barcelona, Day Two

Inside the Dali Suite, there's a Roman bath that's original to the building. I've never seen anything like it—you can fill it up with water and make a little mini swimming pool. The hotel director said that the bath alcove had been boarded up for several decades, and they weren't even aware that it was there. All of the tile was in excellent condition, even though it's over ninety years old.

I guess the Roman bath was quite a hit with Dali—here's a photograph of the artist, enjoying the space with two young friends. Next time you're in Barcelona and you have $8,845 burning a hole in your pocket, feel free to book the two-bedroom suite and try to figure out how Dali got that horse up the hotel's main staircase.

After our surreal walk down memory lane, we stopped at the Gastón y Daniela showroom, located in a lovely nineteenth-century building near the Palace hotel. The textile purveyor, established in 1876, has long represented Spain in the world of high quality fabrics, and has a huge archive of patterns that run the gamut from staunchly traditional to reinvigorated classics. One such example is Sidonia, left, an updated version of 14th-century decorative element found in a cathedral in Bilbao.

Jesús Garabieta, the company's head designer, points to another updated version of an old favorite—Telares. The original design came from an 18th century engraving that depicts the mechanics of weaving.

Upon closer inspection, my fellow tour attendee, Metropolis editor Avinash Rajogapal, declared the work "very meta".

We watched as Garabieta unfurled a few of his favorite designs from the archives. The one featured here with the purple flowers in called Sintra, and it's inspired by Japanese kimono designs.

We stopped by Cubinya, a nearly 100-year-old company located within a meticulously restored Moderisme building by architect Domènech i Montenar. The structure, once the home of a printing press, is an impressive backdrop for the company's large stock of modern furniture and lighting pieces.

It's no secret that Spain has amazing tile. Case in point is Cubina's flooring, which was restored bit by bit back to its original vibrancy. The hues, which are much brighter than this photograph depicts, melds perfectly with the mellow pine walls and room dividers.

A shot of the ceiling showcases the room's original and restored decorative elements, from the hand-painted ceiling to the ornate columns that delineate space. Montenar, a contemporary of Antoni Gaudi, was actually the more popular architect for commercial commissions during their shared heyday.

One of the highlights of the trip as been the opportunity to catch the last day of the exhibition Mariscal en la Pedrera, a retrospective of the Spanish designer's work over the last forty years. The only thing better than seeing an exhibit of work that you admire is seeing it accompanied by the artist himself. Here is Javier Mariscal at the entrance to the exhibition, surrounded by a hanging forest of sketches that date back to the 1960s.

The exhibition is housed within Antoni Gaudi's famous building La Pedrera, or Casa Milà, which is an UNESCO World Heritage site. These massive columns appear throughout the structure, and offer a weighty counterpoint to Mariscal's colorful works.

Mariscal's furniture designs for the postmodern Memphis design and architecture group, created in the early 1980s, convey his exuberant sensibilities. The Duplex Bar Stool, left, and the Hilton Trolley Serving Cart, right.

Another Mariscal classic—the Alessandra armchair, designed for Moroso in 1995.

A collection of the designer's illustrated magazine covers, from The New Yorker to Valencia's Diseño Gráfico, reinforces both his unabashed love of color as well as his staggering amount of creative output over the years.

One of my favorite pieces in the showroom was also one of the most recently introduced—the 2010 Scantling floor lamp by London designer Mathias Hahn. From the secret drawings of an upcoming collaboration with a young up-and-coming lighting design trio in Brooklyn to its just-opened Chelsea showroom, Marset is about to become a major player in the US market.

We capped our tour of the showroom with an impressive spread of Catalan specialties—Jamón ibérico, pan y tomate, Carxofes fregides (fried artichokes), croquetes, and of course the ubiquitous olive oil contained in a decanter by Rafael Marquina. We happily stuffed our faces, and then returned to our hotel to prepare for another day exploring Barcelona's modern design heritage. To read more about our Barcelona tour, click here.