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Collection by Yvonne D'Anello

Arquitectura

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The courtyard in the center of the compound opens with a lovely lap pool.
The courtyard in the center of the compound opens with a lovely lap pool.
A wisteria-shared courtyards and garden with a dining area.
A wisteria-shared courtyards and garden with a dining area.
Brammy and Kyprianou hardly touched the front of their house, an 1880 sandstone and brick Victorian with galvanized iron ornamentation.
Brammy and Kyprianou hardly touched the front of their house, an 1880 sandstone and brick Victorian with galvanized iron ornamentation.
C-Home
C-Home
A modern floating vanity in black and white rests among other elements of dark and light in this stunning, modern bathroom.
A modern floating vanity in black and white rests among other elements of dark and light in this stunning, modern bathroom.
Backyard atmosphere / detail
Backyard atmosphere / detail
In the living room, guests gather on a matching ebony sofa and daybed from Hudson and a pair of Jorge Zalszupin lounge chairs. An Yves Klein coffee table—filled with the artist’s signature International Klein Blue pigment— provides a vivid burst amid otherwise organic tones. The walnut-and-bronze cabinetry is a custom design.
In the living room, guests gather on a matching ebony sofa and daybed from Hudson and a pair of Jorge Zalszupin lounge chairs. An Yves Klein coffee table—filled with the artist’s signature International Klein Blue pigment— provides a vivid burst amid otherwise organic tones. The walnut-and-bronze cabinetry is a custom design.
Located on a sloped wooded site, the 7,500-square-foot Bridge House encompasses two stories and a finished basement. The multigenerational abode by Höweler + Yoon Architecture embraces its sylvan setting through floor-to-ceiling glass walls and generously sized terraces on the first and second stories.
Located on a sloped wooded site, the 7,500-square-foot Bridge House encompasses two stories and a finished basement. The multigenerational abode by Höweler + Yoon Architecture embraces its sylvan setting through floor-to-ceiling glass walls and generously sized terraces on the first and second stories.
“People scold us if we don’t raise the kite,” says Holm (sitting with Kiehl,). From the bench outside, the couple can wave to friends passing in boats and make use of the long summer evenings.
“People scold us if we don’t raise the kite,” says Holm (sitting with Kiehl,). From the bench outside, the couple can wave to friends passing in boats and make use of the long summer evenings.
Group vacations are great for splitting travel costs, but not so good for getting restful alone time. That’s why architecture studio Método used vertical space to divvy up a shared vacation house outside Mexico City.
Group vacations are great for splitting travel costs, but not so good for getting restful alone time. That’s why architecture studio Método used vertical space to divvy up a shared vacation house outside Mexico City.
Gesner (shown here in the circular main house) welcomed us in to explore his home. He told us how he believes round design is one of the easiest and best ways to build so that you don’t lose any space without sacrificing a strong structure. “Everything else in the universe is round and exists in cycles—plants, the sun, the way the planets orbit,” he continued.
Gesner (shown here in the circular main house) welcomed us in to explore his home. He told us how he believes round design is one of the easiest and best ways to build so that you don’t lose any space without sacrificing a strong structure. “Everything else in the universe is round and exists in cycles—plants, the sun, the way the planets orbit,” he continued.
The rear of the house features Victorian brick, a modern extension, and Velfac windows. Landscape designer Matthew Wright was inspired by the art of Henri Rousseau when choosing plants to set amid the garden’s Dorset pebbles.
The rear of the house features Victorian brick, a modern extension, and Velfac windows. Landscape designer Matthew Wright was inspired by the art of Henri Rousseau when choosing plants to set amid the garden’s Dorset pebbles.