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Cantilevered above the terrain, the infinity pool pavilion and lounge spaces embrace the lush foliage of the surrounding landscape.
Cantilevered above the terrain, the infinity pool pavilion and lounge spaces embrace the lush foliage of the surrounding landscape.
The monolithic brick home in Mexico City by Esrawe Studio looks imposing from the street, but its enormous pivoting door opens to a courtyard that feels like a lush oasis.
The monolithic brick home in Mexico City by Esrawe Studio looks imposing from the street, but its enormous pivoting door opens to a courtyard that feels like a lush oasis.
Lining the roof of a subterranean section, two reflection pools provide a canvas for reflecting the structure's concrete and glass form. A walkway divides the color-dyed water, ending at a staircase that leads down into a sunken courtyard.
Lining the roof of a subterranean section, two reflection pools provide a canvas for reflecting the structure's concrete and glass form. A walkway divides the color-dyed water, ending at a staircase that leads down into a sunken courtyard.
Today, a California live oak blocks a view from the street, and a massive pine sits in the front courtyard—in addition to a Japanese maple, bamboo, and other specimens. Here is a look into the second courtyard and a covered patio off the kitchen.
Today, a California live oak blocks a view from the street, and a massive pine sits in the front courtyard—in addition to a Japanese maple, bamboo, and other specimens. Here is a look into the second courtyard and a covered patio off the kitchen.
Approach to house — the front porch wraps to the west to link together the main entry door and the mud room entrance.
Approach to house — the front porch wraps to the west to link together the main entry door and the mud room entrance.
Located in the protected countryside of Marden, the nearly 2,500-square-foot Bumpers Oast house pays homage to the Kentish vernacular.
Located in the protected countryside of Marden, the nearly 2,500-square-foot Bumpers Oast house pays homage to the Kentish vernacular.
The bluestone-clad addition appears to gently slide under the roof eave of the existing home, establishing a seamless connection between old and new.
The bluestone-clad addition appears to gently slide under the roof eave of the existing home, establishing a seamless connection between old and new.
The view from the third-story study across to the master bedroom.
The view from the third-story study across to the master bedroom.
Off-shutter concrete is created by removing the shuttering—normally wooden planks used as a temporary structure to contain setting concrete. "Casting the perfect texture of old wooden planks on the concrete, while getting all the services placed correctly inside the shuttering, was an Herculean task," says Daffonchio.
Off-shutter concrete is created by removing the shuttering—normally wooden planks used as a temporary structure to contain setting concrete. "Casting the perfect texture of old wooden planks on the concrete, while getting all the services placed correctly inside the shuttering, was an Herculean task," says Daffonchio.
Landscape designer Kenneth Philip worked with mwworks to fill in the forested setting.
Landscape designer Kenneth Philip worked with mwworks to fill in the forested setting.
The sheltering forms are a progressive reimagining of ancient structures and simple construction principles, realised using contemporary digital fabrication techniques.
The sheltering forms are a progressive reimagining of ancient structures and simple construction principles, realised using contemporary digital fabrication techniques.
Located on a relatively flat and remote 2.5-acre plot, Casa Terreno occupies two temperate zones (forest and prairie) on a sparsely populated mountain in Valle de Bravo, Mexico.
Located on a relatively flat and remote 2.5-acre plot, Casa Terreno occupies two temperate zones (forest and prairie) on a sparsely populated mountain in Valle de Bravo, Mexico.
The Kajstaden Tall Timber Building has nine floors with an elevated ground floor and a double-height top floor. C.F. Møller Architects designed the building in collaboration with Martinsons, Bjerking and Consto AB, for client Slättö Förvaltning.
The Kajstaden Tall Timber Building has nine floors with an elevated ground floor and a double-height top floor. C.F. Møller Architects designed the building in collaboration with Martinsons, Bjerking and Consto AB, for client Slättö Förvaltning.
The house is part of a working agrarian landscape, with its three distinct volumes—day pavilion, night pavilion, and shed—inspired by the local vernacular architecture.
The house is part of a working agrarian landscape, with its three distinct volumes—day pavilion, night pavilion, and shed—inspired by the local vernacular architecture.

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