Collection by Melissa Schneider
Aesthetic
For this street-side facade, seven tall, slim windows are screened by DMVA Architects calls “knitted” bricks. “In this part of Belgium, 90 percent of the houses are built with brick,” says lead architect Tom Verschueren. “It’s a classic material that we tried to use in House BVA in a totally different way.” Photo by Frederik Vercruysse.
In the living room, a black Carrara floor lamp by Alfredo Häberli for Luceplan echoes the shape of the column. The Jean Prouvé Trapèze desk is topped with a Kelvin LED lamp designed by Antonio Citterio with Toan Nguyen for Flos. Books rest on a wood Zig Zag chair by Gerrit Rietveld.
Renting the apartment was a dream come true for Claus, who founded his firm in Amsterdam, but had always wanted to live in Paris. “Why? Anyone who’s visited the city will know the answer—it’s self-explanatory,” he says. He currently spends most weekends in his second home—“I couldn’t live here permanently; I’d find it too overpowering,” Claus says. He frequently throws parties for fellow design aficionados. “It’s fantastic for entertaining, simply because most of my friends and contacts, as architecture fans, are thrilled to have a chance to spend time here.”
Two green accent walls—one seen here in the dining room—are the only departures from the strategically white backdrop. Wierciński and team designed the dining table and its orange steel frame, along with the seating benches and wall-mounted seat backs. A Sticks pendant light from Nowodvorski illuminates the space.
Adjacent to the main living area sits a snug lounge that looks out through mullioned windows onto a swimming pool. The room features a CH25 easy chair and a CH008 coffee table, both by Hans J. Wegner for Carl Hansen & Son, and a Mags modular sofa by Hay Studios, all of which are from Auckland’s Corporate Culture and were chosen by Jay and resident Jes Wood. The vase is by New Zealand potters Bruce and Estelle Martin, and the carpet (in Citrine) is from the Lees’ Truth in Color range.
The brick wall adjacent to the custom dining table by Brooklyn-based Uhuru Design is original to the structure. 590BC and its team spent months trying to find the right translucency for the whitewash covering the brick. "We call it the 'selective loft' because of the contrast of the refined materials and cabinetry against the industrial materials of this former light bulb factory," says Breitner. Photo by Frank Oudeman.















