As a practicing architect for over 30 years, Scott looked to his network to help take on the project and, to an extent, mitigate the budget. “I’ve described this house as less of a construction project, and more of an Amish barn raising.”
As a practicing architect for over 30 years, Scott looked to his network to help take on the project and, to an extent, mitigate the budget. “I’ve described this house as less of a construction project, and more of an Amish barn raising.”
The kitchen cabinets are made of incienso wood, and the countertops and backsplash are made of Carrara marble.
The mid-section of the siding was done in a shou-sugi ban method. Custom brass was used for the awning, alongside a standing-seam metal roof.
The primary bathroom features a Badeloft tub and Brizo fixtures. “It’s nice to let the desert breezes blow through the house,” says Heather, “especially after a summer monsoon, when the smell of creosote blankets the desert.”
In the living room, a wooden sculpture by local artist Dan John Anderson sits in front of a Mags sectional from Hay.
Inside the 1,930-square-foot structure, which is their full-time residence, con-crete floors and pale woods mimic the outdoor palette. A sliding glass wall from Fleetwood opens to an expansive patio and perfect sunset views.
The new build has cement floors and simple interiors to keep attention on the landscape
Quality millwork in the primary suite—small details such as the cylindrical handles and channeling around the doors—gives it a modern sophistication. The white oak cabinetry complements the white oak flooring, salvaged from a renovation in a different neighborhood.
Custom cabinetry and millwork were expenses the Hughes didn't mind splurging on. Clark's room has a strip of shelving painted sky blue; the color appears throughout the house in various iterations (it's Emily's favorite).