Collection by Bruce Fratezi

BLACK WHITE

The project title “Casa 4.1.4” refers to the four main volumes, one central plaza and four patios. This simple configuration creates distinct, private spaces tied together with open-air common areas.
The project title “Casa 4.1.4” refers to the four main volumes, one central plaza and four patios. This simple configuration creates distinct, private spaces tied together with open-air common areas.
The original home’s dilapidated rear wall was in such poor condition that Roberts called it “an opportunity in disguise.” She removed the wall and built a two-story addition that features double-glazed windows and sliding doors for unified entertaining inside and in the garden.
The original home’s dilapidated rear wall was in such poor condition that Roberts called it “an opportunity in disguise.” She removed the wall and built a two-story addition that features double-glazed windows and sliding doors for unified entertaining inside and in the garden.
The designers explain, “These steel windows played an integral part in making the interior feel larger and more open by blurring the boundaries between the interior and exterior.” A grey Halcyon Lake area rug, an oak chair from MAP, and Hans Wenger Wishbone chairs make for a simple, neutral palette. The painting over the fireplace is by Kate Hendry.
The designers explain, “These steel windows played an integral part in making the interior feel larger and more open by blurring the boundaries between the interior and exterior.” A grey Halcyon Lake area rug, an oak chair from MAP, and Hans Wenger Wishbone chairs make for a simple, neutral palette. The painting over the fireplace is by Kate Hendry.
Black-rimmed steel clerestory windows add illumination in this diminutive white kitchen where black accents abound. A black Aggregato Saliscendi Suspension light, designed by Enzo Mari and Giancarlo Fassina for Artemide, accents against the white Calacatta marble countertops and MAP's oak Milky Stools.
Black-rimmed steel clerestory windows add illumination in this diminutive white kitchen where black accents abound. A black Aggregato Saliscendi Suspension light, designed by Enzo Mari and Giancarlo Fassina for Artemide, accents against the white Calacatta marble countertops and MAP's oak Milky Stools.
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