Materials

After: The kitchen faces the back garden and benefits from a double height atrium space. Pine has been used for the kitchen flooring and cabinets. Extensive glazing gives the ground floor living spaces a direct visual link with the courtyard and terrace.

Structural engineering firm Robert Silman Associates was key in helping the couple execute their design, particularly the cantilevered standing-seam aluminum roof.

The roughly 5,000-square-foot Lens House renovation, which was finished in 2012 and just won a 2014 RIBA National Award, required six years, major remedial work on the roof and walls, approval from the planning committee, and even a sign-off from a horticulturalist to guarantee the backyard excavation didn't interfere with a walnut tree. "These things aren’t for people who are in a hurry," says architect Alison Brooks. The focus is the ten-sided trapezoidal office addition. "It wraps itself around the house with a completely different set of rules than the Victorian building," she says.

Tall steel-and-glass doors open to the backyard and bring some understated drama.

Inspired by the small scale of Japanese residences—in particular, Makoto Masuzawa’s 1952 Minimum House—architect Andrew Simpson designed his own economical 538-square-foot home set into a wooded site in Island Bay, a coastal suburb outside Wellington, New Zealand.

“Durability drove the selection of metal panels,” Schaer says of the home’s industrial exterior. Manufactured by AEP SPAN from corrugated cladding, it looks like zinc but costs significantly less. It also contrasts nicely with the natural siding and trim. “All of the wood inside and out is Douglas Fir, the predominant wood species in the northwest,” Schaer explains.

Burnt cedar, Japanese cypress plywood, and mortar create a trio of contrasting yet simple surface textures that breathe a relaxed vibe into the Muji Hut.

The home’s geometric silhouette echoes the classic typology of the region’s gable roof barns. “We took our inspiration from this vernacular architecture and re-interpreted it with a contemporary twist,” Dworkind says.