“The house was designed to complement the challenging triangular corner site and its context.” —George Bradley, architect.
“The house was designed to complement the challenging triangular corner site and its context.” —George Bradley, architect.
Xeriscaping-drought-tolerant landscaping—was an important part of the house's resource efficiency. Instead of a typical lawn, the owners planted a meadow of native grasses and installed artificial turf, which requires no maintenance. The landscape design was a collaboration between CCS and John Greenlee, and was installed by Berkeley-based Siteworks Landscape.
Xeriscaping-drought-tolerant landscaping—was an important part of the house's resource efficiency. Instead of a typical lawn, the owners planted a meadow of native grasses and installed artificial turf, which requires no maintenance. The landscape design was a collaboration between CCS and John Greenlee, and was installed by Berkeley-based Siteworks Landscape.
The open living-and-bedroom area of Ian Hague’s rural retreat can be divided by a wall that rises from within the master-suite platform. Interior designer Elaine Santos blended her client’s collection of vintage furniture with no-fuss pieces like a Shaker-style bench by Ilse Crawford for De La Espada.
The open living-and-bedroom area of Ian Hague’s rural retreat can be divided by a wall that rises from within the master-suite platform. Interior designer Elaine Santos blended her client’s collection of vintage furniture with no-fuss pieces like a Shaker-style bench by Ilse Crawford for De La Espada.
The bedding is intentionally simple, without layers of unnecessary pillows, and the “non-headboard headboard,” as Santos describes it, is a loose macramé wall hanging by Sally England. The built-in storage wall that defines the space is painted Kendall Charcoal by Benjamin Moore in a matte finish—a shade used on millwork throughout the house. The Isaac brass sconces are from Schoolhouse Electric, and the floor lamp is from Crate & Barrel. The rocker was custom made by Onefortythree in Las Vegas.
The bedding is intentionally simple, without layers of unnecessary pillows, and the “non-headboard headboard,” as Santos describes it, is a loose macramé wall hanging by Sally England. The built-in storage wall that defines the space is painted Kendall Charcoal by Benjamin Moore in a matte finish—a shade used on millwork throughout the house. The Isaac brass sconces are from Schoolhouse Electric, and the floor lamp is from Crate & Barrel. The rocker was custom made by Onefortythree in Las Vegas.
The defining gesture of a house on the Big Island of Hawaii by architect Craig Steely is a 139-foot-long, four-foot-tall concrete beam spanning the roof.
The defining gesture of a house on the Big Island of Hawaii by architect Craig Steely is a 139-foot-long, four-foot-tall concrete beam spanning the roof.
Comments
Private
Start a public conversation on this collection by adding your comments below.