“As you can see, I’ve never been a minimalist,” says Nunnerley. She compares designing to being a jazz musician, working with the basics and then improvising. “We talk about riffs in jazz, and how those riffs appear in design, how you go up and down the scale, and make interesting juxtapositions.”

Pieces that might appear miscellaneous elsewhere create harmony here. The area around the fireplace includes a huge Senufo guardian bird sculpture from the Ivory Coast, a pair of 1930s Italian Osvaldo Borsani armchairs, and a curved, low table in eggshell-and-lacquer from the 1970s.  Rooms from An Interior Designer's Artful and Art-Filled NYC Town House