Collection by brennan mueller
miscellaneous details
In contrast to architect Frank Gehry's iconic metal concert halls and museums, the Spiller House is delightfully simple. Here, the space is dominated by right angles and crisp geometry, unlike the undulating forms that define his later work. However the architect was already experimenting with subtle moves like the off-center placement of the home's central skylight.
The family room is situated at the apex of the house, with picturesque views that extend
up the meticulously landscaped north slope. The concrete floor sits just low enough that the main elements of the scene—the succulent garden and large limestone ledges—are at eye level. A bank of NanaWall folding windows breaks up the fourth wall.
Storey calls this house the “Eel’s Nest,” after the narrow urban properties that go by that name in Japan. Its façade was originally going to be wood, but because of local building codes and the fact the building is built along the edge of the property line, the exterior had to be fireproof. Storey covered it with stucco instead. “I wanted it to look as rough as possible,” says the architect. “Since it’s such a small house, it needed to be tough-looking.”
The workshop at ground level measures less than 200 square feet, but is set up to accommodate any kind of woodworking or welding; when not in use, the architect parks his car inside.
Mural, Mural on the Wall
The home already has a vivid color scheme, but to energize certain areas further, Bestor and Grunbaum added murals to some of the walls. Aside from the vinyl decals in the bathrooms, the stairwell is painted to evoke Grunbaum’s family home in the 1970s. Designer Mina Javid created a faux headboard for the master bedroom. minajavid.com
Oreck incorporated a pitched ceiling to allow light in from all sides, and added, beyond the series of structural beams, clerestory windows he describes as âsort of a light spine that runs through most of the house.â To maximize the feeling of spaciousness, the living room is partially open to the kitchen and dining room, beyond. At right is the door to the third bedroom/office and the rectangular opening leads to a bedroom and bathroom. The radiant-heat floors are powered by the sun: âIt just seemed silly to build a new house in the 21st century in Los Angeles and not utilize solar power,â says Orlovski.
The kitchen was the only room to get a full renovation, so Dine invested in a sleek Bulthaup b3 kitchen system designed by Chris Tosdevin of Bulthaup’s Santa Monica, California, showroom. The stainless-steel workspace and slate-gray laminate countertop and cabinets jibe with the house’s minimalist aesthetic while affording a nice contrast with the overriding whiteness. Perhaps more importantly, though, the hardworking dark surfaces hide dirt and wear far better than lighter hues.