Collection by Hotel Stelor

Hotel rooms

Beautiful hotel rooms in Hotel Stelor, Sweden

This room is the most remote room of the hotel and it gives you a sacred sence of calm with the embrace of the thick walls. The room has its own door to the garden and is the room to book if you bring pets on your stay.
This room is the most remote room of the hotel and it gives you a sacred sence of calm with the embrace of the thick walls. The room has its own door to the garden and is the room to book if you bring pets on your stay.
This room is the most remote room of the hotel and it gives you a sacred sence of calm with the embrace of the thick walls. The room has its own door to the garden and is the room to book if you bring pets on your stay.
This room is the most remote room of the hotel and it gives you a sacred sence of calm with the embrace of the thick walls. The room has its own door to the garden and is the room to book if you bring pets on your stay.
This room is the most remote room of the hotel and it gives you a sacred sence of calm with the embrace of the thick walls. The room has its own door to the garden and is the room to book if you bring pets on your stay.
This room is the most remote room of the hotel and it gives you a sacred sence of calm with the embrace of the thick walls. The room has its own door to the garden and is the room to book if you bring pets on your stay.
This room is the most remote room of the hotel and it gives you a sacred sence of calm with the embrace of the thick walls. The room has its own door to the garden and is the room to book if you bring pets on your stay.
This room is the most remote room of the hotel and it gives you a sacred sence of calm with the embrace of the thick walls. The room has its own door to the garden and is the room to book if you bring pets on your stay.
Room number six is just like room number three larger then the others. An arcitect with his glory days behind him, moved in after his promising career in the 50s petered out. He brought a minimalistic, scandinavian style to New York that had never been seen before, and though his time in the big city was short, he never really left. The room breathes lost dreams of the 50s.
Room number six is just like room number three larger then the others. An arcitect with his glory days behind him, moved in after his promising career in the 50s petered out. He brought a minimalistic, scandinavian style to New York that had never been seen before, and though his time in the big city was short, he never really left. The room breathes lost dreams of the 50s.
Room number six is just like room number three larger then the others. An arcitect with his glory days behind him, moved in after his promising career in the 50s petered out. He brought a minimalistic, scandinavian style to New York that had never been seen before, and though his time in the big city was short, he never really left. The room breathes lost dreams of the 50s.
Room number six is just like room number three larger then the others. An arcitect with his glory days behind him, moved in after his promising career in the 50s petered out. He brought a minimalistic, scandinavian style to New York that had never been seen before, and though his time in the big city was short, he never really left. The room breathes lost dreams of the 50s.
Room number six is just like room number three larger then the others. An arcitect with his glory days behind him, moved in after his promising career in the 50s petered out. He brought a minimalistic, scandinavian style to New York that had never been seen before, and though his time in the big city was short, he never really left. The room breathes lost dreams of the 50s.
Room number six is just like room number three larger then the others. An arcitect with his glory days behind him, moved in after his promising career in the 50s petered out. He brought a minimalistic, scandinavian style to New York that had never been seen before, and though his time in the big city was short, he never really left. The room breathes lost dreams of the 50s.
Room number six is just like room number three larger then the others. An arcitect with his glory days behind him, moved in after his promising career in the 50s petered out. He brought a minimalistic, scandinavian style to New York that had never been seen before, and though his time in the big city was short, he never really left. The room breathes lost dreams of the 50s.
Room number six is just like room number three larger then the others. An arcitect with his glory days behind him, moved in after his promising career in the 50s petered out. He brought a minimalistic, scandinavian style to New York that had never been seen before, and though his time in the big city was short, he never really left. The room breathes lost dreams of the 50s.
An introvert scientist has settled down in room number five. He carries a love for stars and flowers and he braught his golden telescope to use during the crystal clear nights. From his books you can learn all about botany, the sky and the human body and he also left a magazine about submarines in the 1800s.
An introvert scientist has settled down in room number five. He carries a love for stars and flowers and he braught his golden telescope to use during the crystal clear nights. From his books you can learn all about botany, the sky and the human body and he also left a magazine about submarines in the 1800s.
An introvert scientist has settled down in room number five. He carries a love for stars and flowers and he braught his golden telescope to use during the crystal clear nights. From his books you can learn all about botany, the sky and the human body and he also left a magazine about submarines in the 1800s.
An introvert scientist has settled down in room number five. He carries a love for stars and flowers and he braught his golden telescope to use during the crystal clear nights. From his books you can learn all about botany, the sky and the human body and he also left a magazine about submarines in the 1800s.
An introvert scientist has settled down in room number five. He carries a love for stars and flowers and he braught his golden telescope to use during the crystal clear nights. From his books you can learn all about botany, the sky and the human body and he also left a magazine about submarines in the 1800s.
An introvert scientist has settled down in room number five. He carries a love for stars and flowers and he braught his golden telescope to use during the crystal clear nights. From his books you can learn all about botany, the sky and the human body and he also left a magazine about submarines in the 1800s.
An introvert scientist has settled down in room number five. He carries a love for stars and flowers and he braught his golden telescope to use during the crystal clear nights. From his books you can learn all about botany, the sky and the human body and he also left a magazine about submarines in the 1800s.
An introvert scientist has settled down in room number five. He carries a love for stars and flowers and he braught his golden telescope to use during the crystal clear nights. From his books you can learn all about botany, the sky and the human body and he also left a magazine about submarines in the 1800s.
The young author August Strindberg lives is room number four. He has a small desk to work on his masterpieces and from the bathroom window placed in the ceiling, he can find inspiration by looking at the stars. The sloping roof and wall paper with and old flower print gives us the impression that the aspiring author has rented a room in an old lady’s house.
The young author August Strindberg lives is room number four. He has a small desk to work on his masterpieces and from the bathroom window placed in the ceiling, he can find inspiration by looking at the stars. The sloping roof and wall paper with and old flower print gives us the impression that the aspiring author has rented a room in an old lady’s house.
The young author August Strindberg lives is room number four. He has a small desk to work on his masterpieces and from the bathroom window placed in the ceiling, he can find inspiration by looking at the stars. The sloping roof and wall paper with and old flower print gives us the impression that the aspiring author has rented a room in an old lady’s house.
The young author August Strindberg lives is room number four. He has a small desk to work on his masterpieces and from the bathroom window placed in the ceiling, he can find inspiration by looking at the stars. The sloping roof and wall paper with and old flower print gives us the impression that the aspiring author has rented a room in an old lady’s house.
The young author August Strindberg lives is room number four. He has a small desk to work on his masterpieces and from the bathroom window placed in the ceiling, he can find inspiration by looking at the stars. The sloping roof and wall paper with and old flower print gives us the impression that the aspiring author has rented a room in an old lady’s house.
The young author August Strindberg lives is room number four. He has a small desk to work on his masterpieces and from the bathroom window placed in the ceiling, he can find inspiration by looking at the stars. The sloping roof and wall paper with and old flower print gives us the impression that the aspiring author has rented a room in an old lady’s house.
The young author August Strindberg lives is room number four. He has a small desk to work on his masterpieces and from the bathroom window placed in the ceiling, he can find inspiration by looking at the stars. The sloping roof and wall paper with and old flower print gives us the impression that the aspiring author has rented a room in an old lady’s house.
The young author August Strindberg lives is room number four. He has a small desk to work on his masterpieces and from the bathroom window placed in the ceiling, he can find inspiration by looking at the stars. The sloping roof and wall paper with and old flower print gives us the impression that the aspiring author has rented a room in an old lady’s house.
Room number three is the heart of the house and the only room that in our minds, did not house its own caracter.
 
The hall as we call it, has always been the place for festiveties and the room where people come toghether. They gathered
 
in front of the big tiled stove and enjoyed the view from the windows facing all the winds.
Room number three is the heart of the house and the only room that in our minds, did not house its own caracter. The hall as we call it, has always been the place for festiveties and the room where people come toghether. They gathered in front of the big tiled stove and enjoyed the view from the windows facing all the winds.
Room number three is the heart of the house and the only room that in our minds, did not house its own caracter.
 
The hall as we call it, has always been the place for festiveties and the room where people come toghether. They gathered
 
in front of the big tiled stove and enjoyed the view from the windows facing all the winds.
Room number three is the heart of the house and the only room that in our minds, did not house its own caracter. The hall as we call it, has always been the place for festiveties and the room where people come toghether. They gathered in front of the big tiled stove and enjoyed the view from the windows facing all the winds.
Room number three is the heart of the house and the only room that in our minds, did not house its own caracter.
 
The hall as we call it, has always been the place for festiveties and the room where people come toghether. They gathered
 
in front of the big tiled stove and enjoyed the view from the windows facing all the winds.
Room number three is the heart of the house and the only room that in our minds, did not house its own caracter. The hall as we call it, has always been the place for festiveties and the room where people come toghether. They gathered in front of the big tiled stove and enjoyed the view from the windows facing all the winds.

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