Collection by Aileen Kwun

Minimalist Spaces

When less is more.

In the top floor study area, a pair of Copenhague Desks by Ronan & Erwan Bouroullec for HAY are stationed below a Sax hanging light by Vertigo Bird.
In the top floor study area, a pair of Copenhague Desks by Ronan & Erwan Bouroullec for HAY are stationed below a Sax hanging light by Vertigo Bird.
Imai House by Katsutoshi Sasaki + Associates

Incorporating outdoor areas, such as the ground floor terrace, and playing with alternating room heights (the living room is nearly three times higher than the bedrooms) provided character and definition in what otherwise could have been a series of boxy spaces resembling Tetris pieces.

Photo provided by Katsutoshi Sasaki + Associates
Imai House by Katsutoshi Sasaki + Associates Incorporating outdoor areas, such as the ground floor terrace, and playing with alternating room heights (the living room is nearly three times higher than the bedrooms) provided character and definition in what otherwise could have been a series of boxy spaces resembling Tetris pieces. Photo provided by Katsutoshi Sasaki + Associates
After restoring and renovating the interior of their four-story brownstone in Brooklyn’s Bedford-Stuyvesant neighborhood, Jeff Madalena and Jason Gnewikow—creative entrepreneurs and self-described interiors obsessives—outfitted the historic 1910 space with a minimal black-and-white palette, down to the stair railing and original moulding and wainscoting. Sparse, modern pieces—like a two-pronged sconce they designed for the parlor-floor landing and a Cy Twombly print in the adjacent family room—provide elegant counterpoints to the architecture.
After restoring and renovating the interior of their four-story brownstone in Brooklyn’s Bedford-Stuyvesant neighborhood, Jeff Madalena and Jason Gnewikow—creative entrepreneurs and self-described interiors obsessives—outfitted the historic 1910 space with a minimal black-and-white palette, down to the stair railing and original moulding and wainscoting. Sparse, modern pieces—like a two-pronged sconce they designed for the parlor-floor landing and a Cy Twombly print in the adjacent family room—provide elegant counterpoints to the architecture.
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