Collection by Danny CB
The main entrance is on the house’s south side. It leads to a central hall from which all sections of the home are accessible.
The main entrance is on the house’s south side. It leads to a central hall from which all sections of the home are accessible.
The façade designed by Apollo Architects and Associates features an overhanging upper level, which ensures that the entrance is pleasantly shaded and demarcates the property’s two parking spaces. The home’s wooden structure is clad in a bright white exposed concrete.
The façade designed by Apollo Architects and Associates features an overhanging upper level, which ensures that the entrance is pleasantly shaded and demarcates the property’s two parking spaces. The home’s wooden structure is clad in a bright white exposed concrete.
Brun by APOLLO Architects, 2011, Suginami-ku, Tokyo Prefecture
Brun by APOLLO Architects, 2011, Suginami-ku, Tokyo Prefecture
This Victorian-era home in Melbourne, renovated by OOF! Architecture, maintains privacy from the street, but does so in an unusually "friendly" manner—with a giant brick wall that spells out "Hello," a collaboration with local artist Rose Nolan. The residents wanted their house to appeal to passersby, since it sits on a well-trafficked block near a café.
This Victorian-era home in Melbourne, renovated by OOF! Architecture, maintains privacy from the street, but does so in an unusually "friendly" manner—with a giant brick wall that spells out "Hello," a collaboration with local artist Rose Nolan. The residents wanted their house to appeal to passersby, since it sits on a well-trafficked block near a café.
"City | Inventory"
"City | Inventory"
“The building was essentially rebuilt from the inside out,” Webster says. Workers gutted the 1,916-square-foot residence down to its brick shell, expanding it downward and outward to reach 3,208 square feet.
“The building was essentially rebuilt from the inside out,” Webster says. Workers gutted the 1,916-square-foot residence down to its brick shell, expanding it downward and outward to reach 3,208 square feet.
Unassuming by day, the exterior glimmers in the evening thanks to punctures that mimic the night sky. Photo by: Philip Cheung
Unassuming by day, the exterior glimmers in the evening thanks to punctures that mimic the night sky. Photo by: Philip Cheung
Ryan Anderson of RAD Furniture designed the stools as well as the table and benches on the pool deck.
Ryan Anderson of RAD Furniture designed the stools as well as the table and benches on the pool deck.
Architectural designer Sebastian Mariscal and project manager Jeff Svitak created a house in Venice, California, for Michael and Tamami Sylvester. Known as Dwell Home Venice for its role as an exemplification of modern architecture, the house is an homage to indoor-outdoor living. Photo by Coral von Zumwalt.
Architectural designer Sebastian Mariscal and project manager Jeff Svitak created a house in Venice, California, for Michael and Tamami Sylvester. Known as Dwell Home Venice for its role as an exemplification of modern architecture, the house is an homage to indoor-outdoor living. Photo by Coral von Zumwalt.
The always amazing Seattle Public Library by OMA with LMN Architects #library #seattle
The always amazing Seattle Public Library by OMA with LMN Architects #library #seattle
NAMELESS Architecture is a design practice run by Unchung Na, Sorae Yoo, and Kiseok Oh. Founded in New York, it has since expanded to Seoul, South Korea. The RW Concrete Church in Byeollae, a newly developed district in northeastern Seoul, "is set to become part of a new urban environment, materialized through its simplistic form, unified materiality, and program-based continuation of space," the firm says. Photo courtesy of NAMELESS Architecture.
NAMELESS Architecture is a design practice run by Unchung Na, Sorae Yoo, and Kiseok Oh. Founded in New York, it has since expanded to Seoul, South Korea. The RW Concrete Church in Byeollae, a newly developed district in northeastern Seoul, "is set to become part of a new urban environment, materialized through its simplistic form, unified materiality, and program-based continuation of space," the firm says. Photo courtesy of NAMELESS Architecture.
Here you can really see the tilt-up concrete panels that Kurath designed for the space. Each was made to be small enough to go up with a forklift. 

Don't miss a word of Dwell! Download our  FREE app from iTunes, friend us on Facebook, or follow us on Twitter!
Here you can really see the tilt-up concrete panels that Kurath designed for the space. Each was made to be small enough to go up with a forklift. Don't miss a word of Dwell! Download our FREE app from iTunes, friend us on Facebook, or follow us on Twitter!
Functionally, it creates a shaded barrier for the interior without completely obstructing views of the surrounding landscape.
Functionally, it creates a shaded barrier for the interior without completely obstructing views of the surrounding landscape.
The seemingly random waves seem ever-changing, almost flowing, as shadows and highlights move along the surface.
The seemingly random waves seem ever-changing, almost flowing, as shadows and highlights move along the surface.
Delivering a modern look, concrete serves as a long-lasting, hardwearing material.
Delivering a modern look, concrete serves as a long-lasting, hardwearing material.
A jagged cut in the screens defines one facade of Morphosis's 41 Cooper Square in New York City.
A jagged cut in the screens defines one facade of Morphosis's 41 Cooper Square in New York City.
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