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Located in California’s Sugar Bowl neighborhood, this shadowy lair by Mork-Ulnes Architects looks like something out of fairy tale. "We call the house Troll Hus, with a reference to the otherworldly beings in Norse mythology and Scandinavian folklore that are said to dwell in remote mountains," architect Casper Mork-Ulnes says.
Located in California’s Sugar Bowl neighborhood, this shadowy lair by Mork-Ulnes Architects looks like something out of fairy tale. "We call the house Troll Hus, with a reference to the otherworldly beings in Norse mythology and Scandinavian folklore that are said to dwell in remote mountains," architect Casper Mork-Ulnes says.
FORMstudio designed an acrylic balustrade that winds up the 1,647-square-foot home's five levels. The flooring throughout is white oak.
FORMstudio designed an acrylic balustrade that winds up the 1,647-square-foot home's five levels. The flooring throughout is white oak.
To keep the project close to their $10,000 budget, the family looked for bargains whenever possible. The circular window was a misorder they snagged for 90 percent off from a local building supply store. The mahogany siding is a mix of Craigslist purchases and Dumpster finds.
To keep the project close to their $10,000 budget, the family looked for bargains whenever possible. The circular window was a misorder they snagged for 90 percent off from a local building supply store. The mahogany siding is a mix of Craigslist purchases and Dumpster finds.
The Trues host parties in the glass-walled structure, located steps from their vacation home, or they escape to it to catch some rays and read a book. Bill reclines on cushions hidden under the reclaimed-fir floorboards that are propped up with Sugatsune hinges.
The Trues host parties in the glass-walled structure, located steps from their vacation home, or they escape to it to catch some rays and read a book. Bill reclines on cushions hidden under the reclaimed-fir floorboards that are propped up with Sugatsune hinges.
Mad tech mogul Nathan Bateman’s home has gorgeous, expansive views of a lake and mountains, but an underabundance of trees, considering the film’s Alaskan setting. Tall trees were imported and placed on twenty meter-high stilts to create an Alaskan vibe. The hotel, perched on a steep levee within a nature reserve, is a minimalist marvel that blends into the wilderness—in building the hotel, no alterations to the terrain or rock blasting were permitted. The result is a series of birdhouse-shaped log houses that jut perilously over slopes and a collection of guest rooms that are stand-alone cubes supported by huge steel rods drilled into the rock, each with one or two glass walls that offer eye popping views of glacial mountains.
Mad tech mogul Nathan Bateman’s home has gorgeous, expansive views of a lake and mountains, but an underabundance of trees, considering the film’s Alaskan setting. Tall trees were imported and placed on twenty meter-high stilts to create an Alaskan vibe. The hotel, perched on a steep levee within a nature reserve, is a minimalist marvel that blends into the wilderness—in building the hotel, no alterations to the terrain or rock blasting were permitted. The result is a series of birdhouse-shaped log houses that jut perilously over slopes and a collection of guest rooms that are stand-alone cubes supported by huge steel rods drilled into the rock, each with one or two glass walls that offer eye popping views of glacial mountains.
Clerestory windows, set into the brick facade with fins, rings the top of Níall McLaughlin Architects's chapel at Ripon Theological College in Oxford.
Clerestory windows, set into the brick facade with fins, rings the top of Níall McLaughlin Architects's chapel at Ripon Theological College in Oxford.
Ziger/Snead Architects constructed this ode to rowing in rural Virginia for a Baltimore couple who share a love of sculling. “Everywhere in the house you can see the moment where land meets water,” says Douglas Bothner, an associate at the firm.
Ziger/Snead Architects constructed this ode to rowing in rural Virginia for a Baltimore couple who share a love of sculling. “Everywhere in the house you can see the moment where land meets water,” says Douglas Bothner, an associate at the firm.
For architect Bijoy Jain, principal at Studio Mumbai Architects, making the most of the muggy locale meant foregoing walls for louvers and slatted sliding doors—and opting for local materials to construct the airy home. “Response to weathering is critical along the seaside,” he explains. The East Indian laurel, Burma teak, and palmyra woods will endure the seaside climate with an oiling after each monsoon. The pool that runs between the two structures of the home contrasts the choppy white-capped ocean with tranquil charm, making it a favorite spot for the vacationing family of four, who spend weekends here at the retreat.
For architect Bijoy Jain, principal at Studio Mumbai Architects, making the most of the muggy locale meant foregoing walls for louvers and slatted sliding doors—and opting for local materials to construct the airy home. “Response to weathering is critical along the seaside,” he explains. The East Indian laurel, Burma teak, and palmyra woods will endure the seaside climate with an oiling after each monsoon. The pool that runs between the two structures of the home contrasts the choppy white-capped ocean with tranquil charm, making it a favorite spot for the vacationing family of four, who spend weekends here at the retreat.
Van Beek’s extra space is home to her office. She works on a Tense table by Piergiorgio and Michele Cazzaniga and Flow chairs by Jean Marie Massaud, both for MDF Italia.
Van Beek’s extra space is home to her office. She works on a Tense table by Piergiorgio and Michele Cazzaniga and Flow chairs by Jean Marie Massaud, both for MDF Italia.
The kitchen and dining room enjoy panoramic mountain views. Local pine was hand-hewn for the flooring, windows, doors, and furniture throughout the residence.
The kitchen and dining room enjoy panoramic mountain views. Local pine was hand-hewn for the flooring, windows, doors, and furniture throughout the residence.
Armin and Alexander Pedevilla took design inspiration from the traditional farmhouses of the region.
Armin and Alexander Pedevilla took design inspiration from the traditional farmhouses of the region.
Only local materials were used to build the chalet, including the larch wood cladding of the exterior, to reinforce the connection between indoors and outdoors.
Only local materials were used to build the chalet, including the larch wood cladding of the exterior, to reinforce the connection between indoors and outdoors.
The family retreat abuts a rocky cliff in Herfell, Norway. The central cabin provides communal living spaces, while the two cabins that flank it are used as private sleeping quarters.
The family retreat abuts a rocky cliff in Herfell, Norway. The central cabin provides communal living spaces, while the two cabins that flank it are used as private sleeping quarters.
The positioning of the home’s roof allowed for a double-height, north-facing wall with four matching windows and an accompanying skylight. “The house refers to rural houses: a sloping roof, completely coated by stone and with no eaves,” Vanotti says.
The positioning of the home’s roof allowed for a double-height, north-facing wall with four matching windows and an accompanying skylight. “The house refers to rural houses: a sloping roof, completely coated by stone and with no eaves,” Vanotti says.
“We really wanted to capture the ruinous quality of this old building rather than do something overtly new,” says Greg Blee, founding partner at Blee Halligan Architects. Before construction could begin, however, he and Halligan had to patch the remaining walls using stones found in the nearby river. Wherever a wall had collapsed, the designers inserted framing to create windows and doors. For the roof, they turned to the original tiles. “My father’s terrible at throwing things away,” Blee says. “We took the tiles off 30 years ago, as it was too dangerous to have them up there. They’ve been sitting in the fields ever since, and this was our last chance to use them.”
“We really wanted to capture the ruinous quality of this old building rather than do something overtly new,” says Greg Blee, founding partner at Blee Halligan Architects. Before construction could begin, however, he and Halligan had to patch the remaining walls using stones found in the nearby river. Wherever a wall had collapsed, the designers inserted framing to create windows and doors. For the roof, they turned to the original tiles. “My father’s terrible at throwing things away,” Blee says. “We took the tiles off 30 years ago, as it was too dangerous to have them up there. They’ve been sitting in the fields ever since, and this was our last chance to use them.”
Wood from the property’s felled trees was incorporated into every room in the 3,000-square-foot house.
Wood from the property’s felled trees was incorporated into every room in the 3,000-square-foot house.

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