Collection by Ali Keenan
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A capsule in the middle of it all, the property also features a two-story dining room that serves both coastal and Andean delicacies and has an open, panoramic terrace, where a pergola-style roof offers the perfect shade under which to read a book.
Floating...
The communal kitchen rotates around a farm table where guests can relax while chefs prepare meals. Ett Hem only uses fresh, local ingredients that change according to the season. Each morning, the staff chooses what the meals will be and they leave pastries, champagne, wine, and other treats for guests to grab throughout the day.
The dining room leads onto a terrace with a built-in concrete table and barbecue that are original to Raman and Schaffrath’s design. A pair of Hardoy butterfly chairs from Knoll are positioned by the pond.
De Poorter lowered the living room floor by about three feet to allow for larger windows. Vintage Sade sofas, purchased in Berlin, join an Arco lamp by Achille Castiglioni for Flos, a Noguchi coffee table, and a painting by family friend Hugo de Clercq.
Many of Vandemoortele’s objects were collected on her travels around the world, including an antique Japanese screen, a vintage lamp purchased in Arizona, an antique Mongolian side table bought in Ulan Bator, and a rich textile mix. Two brass shades from a local thrift shop are arranged as a floor sculpture, and the cane daybed in her suite is by prolific Belgian designer Maarten van Severen.
William Krisel designed the Ocotillo Lodge, a hotel that features a number of his signature design moves: post-and-beam construction, walls of glass, and seamless indoor/outdoor connections. Pictured here is one of the hotel’s bungalows.
The fireplace that Lake|Flato designed for the deck is the compound’s focal point. “People can go tuck their small kids into bed and then creep back to the fire pit area and be gregarious late into the night,” Wallace says.
Tall and surprisingly open, the Tel Aviv Town House by Pitsou Kedem Architects continues in the tradition of its Bauhaus-inspired neighbors with a white facade and black window frames.
The wood flooring throughout the home is by Kodama.
When Belgian fashion retailer Nathalie Vandemoortele was seeking a new nest for her brood, she stumbled upon a fortresslike house in the countryside designed in 1972 by a pair of Ghent architects, Johan Raman and Fritz Schaffrath. While the Brutalist concrete architecture and petite but lush gardens suited her tastes to a tee, the interiors needed a few updates.
Faced with an outdated hotel built in 1979, Mahmoud was tasked with keeping the original structure intact, while bringing it back to life with design elements that would connect the traditional local vernacular with a refreshing modern sense.