Collection by Heather Corcoran
This Just In: News From the Editors, August 2016
The latest news and products—straight from the editors' inboxes.
With Design Network Africa Eleven, 11 leading design companies from the continent will make their debut at Maison & Objet in Paris. The presentations include Djiguyaso Cooperative, a Mali-based cooperative founded by Aissata Namoko employees 100 women in the textile industry in Mali. The artisans use traditional bogolan tie-dying with indigo, crochet, weaving, spinning, and sewing to produce organic cotton cushions, bedspreads, curtains, dresses, handbags, tablecloths, throws, and scarves.
Designed by Alberto Kalach, Mexico City art gallery Kurimanzutto is one of the city's most stylish spaces. Now you can shop their beloved book shop, Kurimanzutto Libros, online. Check out more than 200 titles, with a special introductory discount (with code: kmlibros), at www.kurimanzutto.com/en....
Hanukkah Lamp, Menorah #7, by Peter Shire, 1986, painted steel, anodized aluminum, and chromium
This holiday season, the Jewish Museum celebrates with the exhibition "Masterpieces & Curiosities: Memphis Does Hanukkah," which runs from September 16, 2016 – February 12, 2017. Peter Shire's modern menorah is the starting point for the show, which traces the L.A. designer's legacy and the current revival of interest in the Memphis design movement.
Image courtesy of The Jewish Museum, New York
A model of True North, the new live-work community Edwin Chan of EC3 has designed for Detroit. The curved structures are based on military Quonset huts, and are quick and inexpensive to build. Expected to be completed by the end of the year, True North marks the architect's first solo project after more than 20 years working in the office of Frank Gehry.
© Edwin Chan/EC3
Designed by Architecture Research Office, FilzFelt's new ARO Block is a series of modular acoustic tiles add sound control in a customizable, easy-to-install system. The collection arose out of a need to resuse post-industrial remnant material at FilzFelt’s manufacturing facility. This material is generated from FilzFelt’s CNC cut products and projects and tends to be narrow strips that require smaller or modular products.
Luceplan's Mesh fixture by Francisco Gomez Paz.
“I set out to create a lamp by starting with this capacity for spatial separation of LEDs, scattering them to optimize the spread of light, but above all with the aim of giving each of these points of light its own independence. I wanted to make a lamp that lets you control the position and the quantity of light, a flexible object to adapt to space and the needs of the user. To organize the breakdown of the luminous points I used parameters similar to those identified by Fibonacci in nature, like the arrangement of the seeds in a sunflower, the eye-shaped features of a male peacocks plumage, or the complex forms of a head of cabbage. A precise sequence that inspired me for the distribution of the lights in space,” the designer says.
Romy Northover on creating ceramic, like this piece from the Mountain Bolt collection: "As ceramics has such a drawn out process there are many times when you can be open to receive information. Applying too much pressure and control and having a too rigid preconceived idea of the end result would be a mistake, which is why I don’t like to make endless repeats but more individual custom works and limited edition series. There have been many times when unexpected outcomes have proved to be the most successful pieces. Clay to me represents a sort of freedom. It's not an exclusive material. Anyone can pick it up and make something there are no boundaries, no borders, no race, no gender, no beginning, no end."